¡Cuán magníficà ères!
Maury:
Tal de lò àlto tempestad deshecha.
(c) When the syntactical relation mentioned in [(a)] exists, but the accented word is not in the position stated in [(b)], synalœpha may occur; Martínez de la Rosa:
La oda sublime entusiasmada canta.
(d) The feeling expressed is sometimes rendered best by synalœpha and again by hiatus; thus, the action is accelerated and the energy increased by synalœpha in:
Habla, habla: ¿por qué callas? ¿qué recelas?
while in Garcilaso’s line ([p. 72], l. 1)
Casi los paso y cuento unò á ùno
the hiatus marks the deliberation with which the act is performed.