Thus, in one Gaelic version of this diverting story—in which our old friends the Gothamites reappear on the scene to enact their unconscious drolleries—a lad marries a farmer’s daughter, and one day while they are all busily engaged in peat cutting, she is sent to the house to fetch the dinner. On entering the house, she perceives the speckled pony’s packsaddle hanging from the roof, and says to herself, “Oh, if that packsaddle were to fall and kill me, what should I do?” and here she began to cry, until her mother, wondering what could be detaining her, comes, when she tells the old woman the cause of her grief, whereupon the mother, in her turn, begins to cry, and when the old man next comes to see what is the matter with his wife and daughter, and is informed about the speckled pony’s packsaddle, he too, “mingles his tears” with theirs. At last the young husband arrives, and finding the trio of noodles thus grieving at an imaginary misfortune, he there and then leaves them, declaring his purpose not to return until he has found three as great fools as themselves. In the course of his travels he meets with some strange folks: men whose wives make them believe whatever they please—one, that he is dead; another, that he is clothed, when he is stark naked; a third, that he is not himself. He meets with the twelve fishers who always miscounted their number; the noodles who went to drown an eel in the sea; and a man trying to get his cow on the roof of his house, in order that she might eat the grass growing there.
In Russian variants the old parents of a youth named Lutonya weep over the supposititious death of a potential grandchild, thinking how sad it would have been if a log which the old woman had dropped had killed that hypothetical infant. The parents’ grief appears to Lutonya so uncalled for that he leaves the house, declaring he will not return until he has met with people more foolish than they. He travels long and far, and sees several foolish doings. In one place a horse is being inserted into its collar by sheer force; in another, a woman is fetching milk from the cellar a spoonful at a time; and in a third place some carpenters are attempting to stretch a beam which is not long enough, and Lutonya earns their gratitude by showing them how to join a piece to it.
A well known English version is to this effect: There was a young man who courted a farmer’s daughter, and one evening when he came to the house she was sent to the cellar for beer. Seeing an axe stuck in a beam above her head, she thought to herself, “Suppose I were married and had a son, and he were to grow up, and be sent to this cellar for beer, and this axe were to fall and kill him—oh, dear! oh dear!” and there she sat crying and crying, while the beer flowed all over the cellar floor, until her old father and mother come in succession and blubber along with her about the hypothetical death of her imaginary grown up son. The young man goes off in quest of three bigger fools, and sees a woman hoisting a cow on to the roof of her cottage to eat the grass that grew among the thatch, and to keep the animal from falling off, she ties a rope round its neck, then goes into the kitchen, secures at her waist the rope, which she had dropped down the chimney, and presently the cow stumbles over the roof, and the woman is pulled up the flue till she sticks half way. In an inn he sees a man attempting to jump into his trousers—a favourite incident in this class of stories; and farther along he meets with a party raking the moon out of a pond.
Another English variant relates that a young girl having been left alone in the house, her mother finds her in tears when she comes home, and asks the cause of her distress. “Oh,” says the girl, “while you were away, a brick fell down the chimney, and I thought, if it had fallen on me I might have been killed!” The only novel adventure which the girl’s betrothed meets with, in his quest of three bigger fools, is an old woman trying to drag an oven with a rope to the table where the dough lay.
There is a Sicilian version in Pitrá’s collection, called The Peasant of Larcarà, in which the bride’s mother imagines that her daughter has a son who falls into the cistern. The groom—they are not yet married—is disgusted, and sets out on his travels with no fixed purpose of returning if he finds some fools greater than his mother-in-law, as in the Venetian tale. The first fool he meets is a mother, whose child, in playing the game called nocciole, tries to get his hand out of the hole whilst his fist is full of stones. He cannot, of course, and the mother thinks they will have to cut off his hand. The traveller tells the child to drop the stones, and then he draws out his hand easily enough. Next he finds a bride who cannot enter the church because she is very tall and wears a high comb. The difficulty is settled as in the former story. After a while he comes to a woman who is spinning and drops her spindle. She calls out to the pig, whose name is Tony, to pick it up for her. The pig does nothing but grunt, and the woman in anger cries, “Well, you won’t pick it up? May your mother die!” The traveller, who had overheard all this, takes a piece of paper, which he folds up like a letter, and then knocks at the door. “Who is there?” “Open the door, for I have a letter for you from Tony’s mother, who is ill and wishes to see her son before she dies.” The woman wonders that her imprecation has taken effect so soon, and readily consents to Tony’s visit. Not only this, but she loads a mule with everything necessary for the comfort of the body and soul of the dying pig. The traveller leads away the mule with Tony, and returns home so pleased with having found that the outside world contains so many fools that he marries as he had first intended.
In other Italian versions, a man is trying to jump into his stockings; another endeavours to put walnuts into a sack with a fork; and a woman dips a knotted rope into a deep well, and then having drawn it up, squeezes the water out of the knots into a pail.