In matters of art also Bohemia was early in the field. The Prague school of painting that came into prominence during the reign of Charles IV. (1316-1378) took favorable rank with similar early art movements in Italy. Painters, sculptors, and architects trained in Bohemia are represented to-day at most of the great cities in Europe where art treasures are preserved. The zealous and promising artistic movement inaugurated in the country by the followers of the Prague school, like most of the other culture movements in the kingdom, was well-nigh extinguished by the attempted Teutonization of the country by the Hapsburg rulers after the fatal Bílá Hora.
The political and literary activity in Bohemia during the opening years of the last century reacted favorably on the art life of the nation. A society of the fine arts, that was distinctly Bohemian and national in character, was organized at Prague in 1848; and this was followed by annual expositions of the chief productions of Bohemian and foreign artists. As an immediate result of these activities, Bohemia produced an astonishingly large number of painters who took high rank in their art, artists of the rare talent of Hellich, Manes, Čermák, Schwaiger, Aleš, Brožík, Mucha, Úprka. In sculpture, too, modern Bohemia has taken a place of distinction in the works of Myslbek, Šimek, Seidan, Sucharda, and Šaloun.
Bohemia’s music is probably better known throughout the civilized world than any other branch of her creative art. This is largely due to the universal character of the language of music and to the eminence of her great tone poets, Smetana and Dvořák. Not that the history of music in the country begins with these two modern composers, but because they spoke in such musical forms and with such musical force that they arrested the attention of the world.
We read in the chronicles of the mediæval historians of the rôle played by music in the life of the Bohemian people; and we know that during the Hussite period the Bohemian hymnology attained a degree of excellence that has not been surpassed by later ages. The Bohemian school of music of to-day takes foremost rank among the music schools of modern Europe.
Bohemia’s position in the matter of education is likewise distinctive. Education of an elementary and secondary character was general in Bohemia several centuries in advance of Austria and Germany. The University of Prague antedated similar institutions in Germany by more than half a century. John Amos Komenský (known in America and England by the Latinized form of his name, Comenius) was a Bohemian, and in the judgment of competent historians of education he was the real evangelist of modern pedagogy. Most of the school systems of progressive and cultivated European peoples are based directly upon ideas that he formulated.
In the domain of religion and ethics, Bohemia has given the greatest moral reformer of the past five hundred years in Jan Hus, the forerunner of Martin Luther, John Calvin, and William E. Channing. And in Jerome of Prague, the contemporary of Hus, she produced another spiritual leader of great power.
VI
THE BOHEMIANS AND THE SLAVIC REGENERATION
By Leo Wiener, Professor of Slavic Languages and Literatures at Harvard University[28]