The lack then of a due balance of qualities and acquirements in so many authors, and we may add other artists, is a cause, but no justification, of that belittlement and even distrust of the literary side of education which are on the whole marked features of the English attitude to-day. But a more potent cause and a real justification of this attitude is the neglect of due balance of qualities and acquirements by so many educators and educational systems. Great educators have themselves rarely been narrow-minded men; but the traditions they have founded have gone the way of all traditions.

What begins as an inspiration hardens into a formula. The ideals of the Renascence were caricatured in their offspring of the eighteenth and nineteenth centuries. Not only did the evolution of modern life with its cities, its printing press, its gunpowder, its steam engine and the rest, destroy the need of the well-to-do to be trained in the practical arts of chivalry, of the chase, of husbandry, even of music and design, so that the bodily activities of boys became relegated to the sphere of mere games and pastimes; but as books usurped more and more of the hours of boyhood, so the instructors of youth fell more and more into the fatally easy path of formal and grammatical treatment. The subject-matter of education was indeed literature, and the very noblest literatures, mainly those of Greece and Rome: but there was little of literary or humane interest about the study of it; its meaning and spirit were concealed from all but the few who could surmount the fences of linguistic pedantry and artificial technique with which it was surrounded.

I do not know when the expression "the dead languages" was invented: but certainly Latin and Greek have been treated as very dead languages by the great majority of teachers for a very long time. And as "modern subjects," history, geography, modern languages and literatures, gradually thrust their way into the curriculum, each was subjected as far as possible to the same mummification. There is a theory still widely held among teachers that the value of a subject or of a method of instruction depends upon the amount of drudgery which it involves or the degree of repulsion which it excites. The theory rests upon a confusion between the ideas of discipline and punishment, which itself is probably due to the strongly Judaistic tone of our so-called Christianity. At any rate, far too many schoolmasters suffer from conscientious scruples about allowing the spirits of freedom, initiative, curiosity, enjoyment, to blow through their class-rooms.

There has been, always to some extent, but with gathering force in recent years, a natural revolt against this mixture of puritanism, scholasticism, and dilettantism, which made the intellectual side of public school education such a failure except for the few who were born with the spoon of scholarship in their mouths. The irruption of that turbulent rascal, natural science, has perhaps had most to do with humanising our humanistic studies. It was a great step when boys who could not make verses were allowed to make if it was but a smell; and even breaking a test-tube once in a while is more educative than breaking the gender-rules every day of the week. Many of my friends, who label themselves humanists, are in a panic about this, and look upon me sadly as a renegade because I, who owe almost everything to a "classical education," am ready (they think) to sell the pass of "compulsory Greek" to a horde of money-grubbing barbarians who will turn our flowery groves of Academe into mere factories of commercial efficiency. But fear is a treacherous guide. They are the victims of that abstract generalisation of which I spoke at the outset. I check their forebodings by reference to concrete personalities, myself, my children, and the hundreds of boys I have known. And I see more and more plainly, as I study the infinite variety of our mental lineaments and the common stock of human nature and civilised society which unites us, that literature is a permanent and indispensable and even inevitable element in our education; and that moreover it can only have free scope and growth in the expanding personality of the young in a due and therefore a varying harmony with other interests. I and my children and my schoolboys have eyes and ears and hands—and even legs! We have, as Aristotle rightly saw, an appetite for knowledge, and that appetite cannot be satisfied, though it may be choked, by a sole diet of literature. We have desires of many kinds demanding satisfaction and requiring government. We have a sense of duty and vocation: we know that we and our families must eat to live and to carry on the race. We resent, in our inarticulate way, these sneers at our Philistinism, commercialism, athleticism, materialism, from dim-eyed pedants on the one hand and superior persons on the other, who have evidently forgotten, if they ever saw, the whole purport of that Greek literature the name of which they take in vain. No! La littérature est une chose qui touche à toutes choses; but if we are to shut our eyes to all the "things" which evoke it, it becomes what it is to so many, whose education has been in name predominantly literary, "a tale told by an idiot, full of sound and fury, signifying nothing."

(2) The argument has already insensibly led us to treat by implication the second, and indeed the third of our assumed objects. But in our modern insistence upon social relations and citizenship—a very proper insistence, still too much warped and hampered by selfishness and prejudice—there is a real danger of our forgetting how much of our conscious existence is passed, in a true sense, at leisure and alone. It is our ideal on the one side to be "all things to all men": and for any approach to this ideal, as we have seen, the knowledge and sympathy born of literature are indispensable. But on the other side no man or woman is completely fitted out without provision for the blank spaces, the passages and waiting rooms, as it were, to say nothing of the actual "recreation rooms" of the house of life. And there is no provision so abundant, so accessible to all, so permanent, so independent of fortune, and at once so mellowing and fortifying, as literature. Our happiness or discontent depends far more, than on anything else, on the habitual occupation of our mind when it is free to choose its occupation. And, since thought is instantaneous, even the busiest of us has far more of that freedom than he knows what to do with unless he has a mental treasury from which he can at will bring forth things new and old. It is impossible to exaggerate the importance of hobbies in a man's own life—and of course indirectly in his relations with his fellows. A single hobby is dangerous. You ride it to death or it becomes your master. You need at least a pair of them in the stable. What they are must depend, you say, upon the temperament, the bent of the individual. True: but our main responsibility as educators consists in our "bending of the twig." It is not temperament nor destiny which renders so many men and women unable to fill their leisure moments with anything more exhilarating than, gossip, grumbling, or perpetual bridge. Perhaps the greatest blessing which a parent or a teacher can confer on a boy or girl is discreet, unpriggish, and unpatronising, encouragement and guidance in the discovery and development of hobbies: and if I may venture on a piece of advice to anyone who needs it, I should say: "Try to secure that everyone grows up with at least two hobbies; and whatever one of them may be, let the other be literature, or some branch of literature."

Dreams, books, are each a world; and books, we know,

Are a substantial world, both pure and good;

Round these, with tendrils strong as flesh and blood,

Our pastime and our happiness will grow.

(3) At this point I can imagine someone, who recognises the importance of literary culture in the equipment of a man or woman of the world, and perhaps feels even more strongly the truth summed up in these lines of Wordsworth, expressing the doubt whether the second at least of these objects can be secured, or will not rather be precluded, by admitting the study of literature as such into the school curriculum. This doubt, which I have heard expressed by many lovers of literature, notably by the late Canon Ainger, is not lightly to be disregarded. It is to be met, however, in my opinion, by keeping clearly before our eyes the third of the objects which we assumed to be aimed at by literary studies as a branch of education—the immediate pleasure of the student. The two objects which we have already discussed are ulterior objects, which should be part of the fundamental faith of the teacher; but while the teacher is in contact with his pupils they should be forgotten in the glowing conviction that the study of literature is, at that very moment, the most delightful thing in the world. Of course we all know, or should know, that this is the only attitude of mind for the best teaching in any subject whatever. It takes a great deal more than enthusiasm to make a competent teacher; and it is easy to prepare pupils successfully for almost any written examination without any enthusiasm for anything except success. But, cramming apart, a bored teacher is inevitably a boring one: and while unfortunately the converse is not universally true and an enthusiastic teacher may fail to communicate his enthusiasm, yet it is quite certain that you cannot communicate enthusiasm if you are not possessed of it.