[§ 65]. I beg leave to quote here Schick's excellent remarks upon the poem itself.
'There are similar pieces to these Duodecim Abusiones in earlier
English literature (see ten Brink, Geschichte der englischen Literatur, i. 268, and note).[[32]] The "twelf unþēawas" existed also in Old-English; a homily on them is printed in Morris, Old Eng. Homilies, pp. 101-119[[33]]. It is based on the Latin Homily "De octo viciis et de duodecim abusivis huius saeculi," attributed to St. Cyprian or St. Patrick; see Dietrich in Niedner's Zeitschrift für historische Theologie, 1855, p. 518; Wanley's Catalogus, passim (cf. the Index sub voce Patrick). In the Middle-English period we meet again with more or less of these "Abusions"; see Morris, Old Eng. Miscellany, p. 185 (11 Abusions); Furnivall, Early Eng. Poems, Berlin, 1862 (Phil. Soc.), p. 161; "Five Evil Things," Wright and Halliwell, Reliquiae Antiquae, i. 316, and ii. 14.'
[§ 66. XXIV. The Court of Love.]
This piece was first printed by Stowe in 1561. Stowe happened to have access to a MS. which was really a miscellaneous collection of Middle-English pieces of various dates; and he proceeded to print them as being 'certaine workes of Geffray Chauser,' without paying any regard to their contents or style. In vol. i. pp. 33, 34, I give a list of his additions, numbered 42-60[[34]]. By good fortune, the very MS. in question is now in Trinity College Library, marked R. 3. 19. We can thus tell that he was indebted to it for the pieces numbered 46, 47, 48, 49, 50, 51, 53, 54, 55, 56, and 59. These eleven pieces are all alike remarkable for being non-Chaucerian; indeed, no. 56 is certainly Lydgate's. But it has so happened that no. 59, or The Court of Love, being the best of these pieces, was on that account 'attributed' to Chaucer, whilst the others were unhesitatingly rejected. And it happened on this wise.
[§ 67]. After Tyrwhitt had edited the Canterbury Tales afresh, it occurred to him to compile a Glossary. He rightly reasoned that the Glossary would be strengthened and made more correct if he included in it all the harder words found in the whole of Chaucer's Works, instead of limiting the vocabulary to words
which occur in the Canterbury Tales only. For this purpose, he proceeded to draw up a List of what he conceived to be Chaucer's genuine works; and we must remember that the only process open to him was to consider all the old editions, and reject such as he conceived to be spurious. Hence his List is not really a list of genuine works, but one made by striking out from all previous lists the works which he knew to be spurious. A moment's reflection will show that this is a very different thing.
Considering that he had only his own acumen to guide him, and had no access to linguistic or grammatical tests, still less to tests derived from an examination of rimes or phonology, it is wonderful how well he did his work. In the matter of rejection, he did not make a single mistake. His first revision was made by considering only the pieces numbered 1-41, in the first part of Stowe's print (see vol. i. pp. 31-33); and he struck out the following, on the express ground that they were known to have been written by other authors; viz. nos. 4, 11, 13, 25, 26, 27, 28, 29, 33, and 40[[35]].
Then he went over the list again, and struck out, on internal evidence, nos. 15, 18, 21, 22, and 32[[36]].
Truly, here was a noble beginning! The only non-Chaucerian pieces which he failed to reject explicitly, among nos. 1-41, were the following, viz. 6 (A Goodly Balade of Chaucer), 17 (The Complaint of the Black Knight), 20 (The Testament of Love), 31 (The Cuckoo and the Nightingale), 38 (Go forth, King), and 41 (A Balade in Praise of Chaucer). Of course he rejected the last of these, but it was not worth his while to say so; and, in the same way, he tacitly rejected or ignored nos. 6, 30, and 38. Hence it was that nos. 6, 30, 38, and 41 did not appear in Moxon's Chaucer, and even no. 32 was carefully excluded. In his final list, out of nos. 1-41, Tyrwhitt actually got rid of all but nos. 17, 20, and 31 (The Black Knight, The Testament of Love, and The Cuckoo).