LITTLE THUMBLING.
Le Petit Poucet.—This story, under the titles of Hop o' my Thumb, Little Thumb and his Brothers, &c., has been continually reprinted amongst our English nursery tales; and as I have already spoken of ogres and seven-leagued boots, there is little else in it that calls for observation. The latter are said to have been "fées"—i.e. enchanted, as the key in Blue Beard. The attempt of the parents to lose the children in the wood is an incident in Madame d'Aulnoy's story of Finette Cendron, drawn, no doubt, from the same source, as Cambry, in his Voyage au Finisterre, bears witness to Le Petit Poucet having been an "ancien conté populaire," which has for ages amused "les enfans de la Basse Bretagne." I think it is quite unnecessary for me to go into the question of this story being founded on an episode in Homer's Odyssey, to prove that Perrault was not thinking of Ulysses in the cave of Polyphemus, or that the pebbles and bread were not suggested by the clue of Ariadne.
In Grimm's Kinder und Hausmärchen are several stories about Thumbling; and I need scarcely remind the reader that England has her own renowned Thomas Thumb.
THE COUNTESS DE MURAT.
Henriette Julie de Castelneau, daughter of Michel, second Marquis de Castelnau, Governor of Brest, and granddaughter by the mother's side, to the Count d'Angnon, Marshal of France, was born at Brest in 1670. At the age of sixteen, she came to Paris in the costume worn by the peasants in Brittany, the language of which province she spoke very fluently. Her appearance in this dress caused such a sensation that the Queen desired her to wear it on her presentation at Court. She married Nicholas, Count de Murat, Colonel of Infantry and Brigadier des Armées du Roi, descended from a family established in Auvergne before 1300, and that afterwards passed into Dauphiné. Being suspected by Madame de Maintenon of having been part author of a libel in which all the persons composing the Court of Louis XIV., in 1694, were caricatured or insulted, she was banished to Auch, Department du Gers. After the death of Louis XIV., the Regent Duke of Orleans, at the request of Madame de Parabere, recalled Madame de Murat in 1715. She did not, however, long enjoy her return to Paris, as she died at her Château de la Buzardiere in Maine the following year (1716), at the early age of forty-six. She was the author of many works, both in prose and verse,[56] but is best known by her Contes des Fées, six of the most popular of which are here translated. Four of these (Le Parfait Amour, Anguillette, Jeune et Belle, and Le Palais de la Vengeance) were printed in 1766, and again in 1817, in the collection of Fairy Tales attributed to the Countess d'Aulnoy, of whom Madame de Murat was the contemporary, but certainly not the rival. Her stories have more the character of romances and novels than fairy tales, with a strong infusion of sentiment, such as is to be found in the writings of Madame de Scuderi, Madlle. de La Fayette, the Countess d'Auneuil, and others of that period.
The plots of them were most probably taken from
"Les contes ingenus quoique remplis d'addresse Qu'ont inventés les Troubadours."