Elves, according to the Welsh,—I have seen only a picture of one drawn by a Welsh miner,—also live on goblin food and wear foxgloves when they have any particularly hard work to do. The Queen of the Elves is none other than the Shakespearean fairy spoken of by Mercutio, who comes
“In shape no bigger than an agate stone
On the forefinger of an alderman.”
No one who has not seen a fairy can have any idea how difficult it is to draw the line between history and story. The difficulties of the folklorist are as nothing,—for his is the scientific spirit,—compared with the trouble the real fairy hunter has in the open. Nowadays, of course, no one believes everything or possibly anything he is told. But in times past mankind seems to have been gifted with a more intimate faith in and knowledge of some things than we have to-day. For example, people used to know Satan better and were more afraid of him. An honest Welsh farmer saw him lying across the road with his head on one wall and his tail on the other. The Devil was moaning horribly, which in this uncomfortable position would not be strange for any one.
In criticism of Welsh fairies there is one thing to be said. They not only have a rather practical-joking sort of humour, but they also have very little sense of equity. A man may do his best for them, and then they repay him in the end by a trick. A Welsh piper was coming home in the gray of the evening, and had to cross a little running stream, from which he saw only the shadowed hillside and heard only the voice of the wind. But when he had travelled beyond the hill, music became audible, and, turning, instead of the knoll he had been looking at, there was a great castle with lights blazing and music playing and the sound of dancing feet. He went back and was caught in the procession coming out from its doors and taken in to pipe to them. He piped for a day or so, but he was anxious to return to his people, and the fairies seemed to understand. They said they would let him go if he would play a favourite tune. He played his best, they danced fast and furiously. And at last he was set free on the dark hillside, with only the voice of the wind for company. He went home hastily, but when he entered his father’s house no one knew him. An old man awoke from a doze by the fire, and said that he had heard, when a boy, of a piper who had gone away on a quiet evening and never come back again. That was over a hundred years ago.
Perhaps there is no reason why the fairies, as well as poor mortals, should not be allowed a natural and happy alternation between badness and goodness. Metaphorically speaking, they are not the only creatures who steal money and butter and cheese, and who whisk away helpless, unbaptized infants. Doubtless a New England Mather—those early New England Mathers were hard on babies—would say that an infant who remained unbaptized long enough to be discovered by a fairy deserved to be stolen. Such an idea could have flourished only in New England. As if it were not bad enough to face the-survival-of-the-fittest test in this life without carrying it over into heaven! I, for one, am not disposed to find fault with the fairies when, as happened in Beddgelert, they led a man into beautiful lodgings. To know what a temptation a beautiful apartment might become, one must have lived, as I have, in that little mountain-cupped village. When the man awoke in the morning after a peaceful night’s rest, he was sleeping on a swamp with a clump of rushes for his pillow. If he had been a nervous, sleepless, modern man, instead of finding fault as he did, he would have been grateful for the night’s sound rest and forthwith tried the swamp again. After this there would have been a “Swamp Cure for Insomnia.”
There are ghosts, too, in Wales, but they are rather spiritless creatures, much easier to catch and not so tricksy as the fairies. Nor do they select prickly furze and stony hilltops as their hiding-places. But on the whole they are difficult to subdue, especially the farm ghosts. While the servants are busy making the butter, the ghost or spirit frequently throws something unclean into the milk or sends the pans spinning around like mad. In one farm the farmer offered a reward of five pounds to any one who would lay their particularly lively spirit. Several people tried it, including an aged priest in whose face the impertinent ghost waved a woman’s bonnet. Finally, the Established Church being unable to cope with this sprightly situation, an Independent minister from Llanarmon coaxed the ghost into the barn. There the spirit, still unsubdued, turned into a lion, a mastiff, and other ferocious beasts, but in no incarnation could it do any harm to the Independent Griffiths. It became discouraged, and the minister persuaded the poor thing to appear in the form of a fly. Perhaps in this incarnation the wretched thing still had hopes of revenge. However, the intrepid Griffiths was too much for it, and it was captured in a tobacco box and borne off, never to trouble the farmer any more.
The death portents in Cambria reveal all the strangeness and lawlessness of the Celtic imagination. No one who does not know the Welsh hills, who has not been on them day after day, can feel the significance of these death portents. One must have travelled on the top and edge of the Welsh mountain world to understand,—have looked out upon a sea of hills gray and barren in their utter colourlessness, and down upon valleys like the valley of the shadow of death. There abyss and altitude are alike full of terrors, of mist before which mind and step falter, of an Unknown which presses home in bodily anguish, which distorts the vision and strikes upon the ear with the outcry of bewildered souls. It is not strange, then, that the Welsh have the most horrible of banshees. It is known as the Gwrach y Rhybin, the old hag of the mist; and a Cyhyraeth which moans dolefully in the night but is never seen; and a Tolaeth which groans or sings or saws, or tramps with its feet, and is also unseen. And there are, besides, the “Dogs of Hell” and the “Dogs of the Sky” and the “Corpse Candle” and the “Goblin Funeral,”—all of them portents of death. Several years ago I came very near seeing one of these portentous dogs. I was on a treeless upland pasture, rich with ruby like a deep agate, with lavender, flecked with emerald-green as musk is freaked with brown; purple, pink, and opalescent in the sunshine that came and went. There were black sheep and white in that pasture, I remember, and some little lambs that straddled with surprise. One rose, stretching and curling its tail with the delicious energy of waking from sleep. I looked down what seemed like a particoloured gulf of greensward into valleys where men and cattle had become dots in size, and up to more fern and heather and altitudes where the curlew cried. It was as I looked up that I saw an impressively large black dog that went through an impossibly small sheep-hole in a sheep-wall. But a wisp of mist came over the Welsh mountain-side, and one never makes an effort to see that sort of thing or to run after it. Hunting rollicking elves and lightfoot fairies is quite a different matter!