Another stone, at Grossmoringen, close by Stendal, tells where an assistant bell-caster was stabbed by his master because he succeeded in casting a bell, after the latter had failed in the attempt. It is a tradition of Rouen that the two rose-windows of its cathedral were the work of the master-architect and his pupil, who strove which of the two should produce the finer window. Again the man beat the master, and again the master murdered the man in revenge for his triumph. The transept window of Lincoln Cathedral was the product of a similar contest, but in this instance the defeated artist killed himself instead of his successful rival.

BALLADS AND LEGENDS.

Scott’s ballad of “Wild Darrell” was founded upon a story, first told by Aubrey, but for which the poet was indebted to Lord Webb Seymour. An old midwife sitting over her fire one dark November night was roused by a loud knocking at the door. Upon opening it she saw a horseman, who told her her services were required by a lady of rank, and would be paid for handsomely; but as there were family reasons why the affair should be kept secret, she must submit to be conducted to her patient blindfolded. She agreed, allowed her eyes to be bandaged, and took her place on the pillion. After a journey of many miles, her conductor stopped, led her into a house, and removed the bandage. The midwife found herself in a handsome bedchamber, and in presence of a lady and a ferocious-looking man. A boy was born. Snatching it from the woman’s arms, the man threw the babe on the blazing fire; it rolled upon the hearth. Spite of the entreaties of the horrified midwife, and the piteous prayers of the poor mother, the ruffian thrust the child under the grate, and raked the hot coals over it. The innocent accomplice was then ordered to return whence she came, as she came; the man who had brought her seeing her home again, and paying her for her pains.

The woman lost no time in letting a magistrate know what she had seen that November night. She had been sharp enough to cut a piece out of the bed-curtain, and sew it in again, and to count the steps of the long staircase she had ascended and descended. By these means the scene of the infanticide was identified, and the murderer Darrell, Lord of Littlecote House, Berkshire was tried at Salisbury. He escaped the gallows by bribing the judge, only to break his neck in the hunting-field a few months afterwards, at a place still known as Darrell’s Stile. Aubrey places Littlecote in Wiltshire, makes the unhappy mother the waiting-maid of Darrell’s wife, and concludes his narration thus: “This horrid action did much run in her (the midwife’s) mind, and she had a desire to discover it, but knew not where ’twas. She considered with herself the time that she was riding, and how many miles she might have ridden at that rate in that time, and that it must be some great person’s house, for the room was twelve feet high. She went to a justice of the peace, and search was made—the very chamber found. The knight was brought to his trial; and, to be short, this judge had this noble house, park, and manor, and (I think) more, for a bribe to save his life. Sir John Popham gave sentence according to law, but being a great person and a favorite, he procured a nolle prosequi.”

In Sir Walter’s ballad the midwife becomes a friar of orders gray, compelled to shrive a dying woman,

A lady as a lily bright,

With an infant on her arm;

and when

The shrift is done, the friar is gone,

Blindfolded as he came—