Next morning, all in Littlecote Hall
Were weeping for their dame.
It was hardly fair to make Darrell worse than he was, by laying a second murder at his door, merely to give a local habitation and a name to a Scotch tale of murder that might have been an adaptation of the Berkshire tragedy.
Somewhere about the beginning of the last century, an Edinburgh clergyman was called out of his bed at midnight on the pretext that he was wanted to pray with a person at the point of death. The good man obeyed the summons without hesitation, but wished he had not done so, when, upon his sedan-chair reaching an out-of-the-way part of the city, its bearers insisted upon his being blindfolded, and cut his protestations short by threatening to blow out his brains if he refused to do their bidding. Like the sensible man he was, he submitted without further parley, and the sedan moved on again. By and by, he felt he was being carried up-stairs: the chair stopped, the clergyman was handed out, his eyes uncovered, and his attention directed to a young and beautiful lady lying in bed with an infant by her side. Not seeing any signs of dying about her, he ventured to say so, but was commanded to lose no time in offering up such prayers as were fitting for a person at the last extremity. Having done his office, he was put into the chair and taken down-stairs, a pistol-shot startling his ears on the way. He soon found himself safe at home, a purse of gold in his hand, and his ears still ringing with the warning he had received, that if he said one word about the transaction, his life would pay for the indiscretion. At last he fell off to sleep, to be awakened by a servant with the news, that a certain great house in the Canongate had been burned down, and the daughter of its owner perished in the flames. The clergyman had been long dead, when a fire broke out on the very same spot, and there, amid the flames, was seen a beautiful woman, in an extraordinarily rich night-dress of the fashion of half a century before. While the awe-struck spectators gazed in wonder, the apparition cried, “Anes burned, twice burned; the third time I’ll scare you all!” The midwife of the Littlecote legend and the divine of the Edinburgh one were more fortunate than the Irish doctor living at Rome in 1743; this gentleman, according to Lady Hamilton, being taken blindfolded to a house and compelled to open the veins of a young lady who had loved not wisely, but too well.
BURIAL ALIVE.
In the year 1400, Ginevra de Amiera, a Florentine beauty, married, under parental pressure, a man who had failed to win her heart, that she had given to Antonio Rondinelli. Soon afterwards the plague broke out in Florence; Ginevra fell ill, apparently succumbed to the malady, and being pronounced dead, was the same day consigned to the family tomb. Some one, however, had blundered in the matter, for in the middle of the night, the entombed bride woke out of her trance, and badly as her living relatives had behaved, found her dead ones still less to her liking, and lost no time in quitting the silent company, upon whose quietude she had unwittingly intruded. Speeding through the sleep-wrapped streets as swiftly as her clinging cerements allowed, Ginevra sought the home from which she had so lately been borne. Roused from his slumbers by a knocking at the door, the disconsolate widower of a day cautiously opened an upper window, and seeing a shrouded figure waiting below, in whose upturned face he recognized the lineaments of the dear departed, he cried, “Go in peace, blessed spirit,” and shut the window precipitately. With sinking heart and slackened step, the repulsed wife made her way to her father’s door, to receive the like benison from her dismayed parent. Then she crawled on to an uncle’s, where the door was indeed opened, but only to be slammed in her face by the frightened man, who, in his hurry, forgot even to bless his ghostly caller. The cool night air, penetrating the undress of the hapless wanderer, made her tremble and shiver, as she thought she had waked to life only to die again in the cruel streets. “Ah” she sighed, “Antonio would not have proved so unkind.” This thought naturally suggested it was her duty to test his love and courage: it would be time enough to die if he proved like the rest. The way was long, but hope renerved her limbs, and soon Ginevra was knocking timidly at Rondinelli’s door. He opened it himself, and although startled by the ghastly vision, calmly inquired what the spirit wanted with him. Throwing her shroud away from her face, Ginevra exclaimed, “I am no spirit, Antonio; I am that Ginevra you once loved, who was buried yesterday—buried alive!” and fell senseless into the welcoming arms of her astonished lover, whose cries for help soon brought down his sympathizing family to hear the wondrous story, and bear its heroine to bed, to be tenderly tended until she bad recovered from the shock, and was as beautiful as ever again. Then came the difficulty. Was Ginevra to return to the man who had buried her, and shut his doors against her, or give herself to the man who had saved her from a second death? With such powerful special pleaders as love and gratitude on his side, of course Rondinelli won the day, and a private marriage made the lovers amends for previous disappointment. They, however, had no intention of keeping in hiding, but the very first Sunday after they became man and wife, appeared in public together at the cathedral, to the confusion and wonder of Ginevra’s friends. An explanation ensued, which satisfied everybody except the lady’s first husband, who insisted that nothing but her dying in genuine earnest could dissolve the original matrimonial bond. The case was referred to the bishop, who, having no precedent to curb his decision, rose superior to technicalities, and declared that the first husband had forfeited all right to Ginevra, and must pay over to Rondinelli the dowry he had received with her: a decree at which we may be sure all true lovers in fair Florence heartily rejoiced.
This Italian romance of real life has its counterpart in a French cause célèbre, but the Gallic version unfortunately lacks names and dates; it differs, too, considerably in matters of detail; instead of the lady being a supposed victim of the plague, which in the older story secured her hasty interment, she was supposed to have died of grief at being wedded against her inclination; instead of coming to life of her own accord, and seeking her lover as a last resource, the French heroine was taken out of her grave by her lover, who suspected she was not really dead, and resuscitated by his exertions, to flee with him to England. After living happily together there for ten years, the strangely united couple ventured to visit Paris, where the first husband accidentally meeting the lady, was struck by her resemblance to his dead wife, found out her abode, and finally claimed her for his own. When the case came for trial, the second husband did not dispute the fact of identity, but pleaded that his rival had renounced all claim to the lady by ordering her to be buried, without first making sure she was dead, and that she would have been dead and rotting in her grave if he had not rescued her. The court was saved the trouble of deciding the knotty point, for, seeing that it was likely to pronounce against them, the fond pair quietly slipped out of France, and found refuge in “a foreign clime, where their love continued sacred and entire, till death conveyed them to those happy regions where love knows no end, and is confined within no limits.”
RING STORIES.
Of dead-alive ladies brought to consciousness by sacrilegious robbers, covetous of the rings upon their cold fingers, no less than seven stories, differing but slightly from each other, have been preserved; in one, the scene is laid in Halifax; in another, in Gloucestershire; in a third, in Somersetshire; in the fourth, in Drogheda; the remaining three being appropriated by as many towns in Germany.