"Everything that heard him play,
Even the billows of the sea,
Hung their heads, and then lay by.
In sweet music is such art,
Killing-care and grief-of-heart
Fall asleep, or hearing, die."
Shakespeare.
Never was musician like Orpheus, who sang songs, inspired by the Muses, to a lyre that was given to him by Apollo. So mighty indeed was the magic of his music, that Nature herself owned his sway. Not only did rocks and rills repeat his lays, but the very trees uprooted themselves to follow in his train, and the savage beasts of the forest were tamed and fawned upon him as he played and sang.
But of all who hearkened enchanted to those matchless strains, none drew deeper delight therefrom than the singer's newly wed wife, the young and lovely Eurydice. Hour by hour she sat at his feet hearkening to the music of his voice and lyre, and the gods themselves might have envied the happy pair.
And surely some god did look with envious eye upon those two. For on an evil day, Eurydice, strolling with her maidens through a flowery meadow, was bitten on her foot by a viper and perished in all her beauty ere the sun went down.
Then Orpheus, terrible in his anguish, swore that death itself should not forever rob him of his love. His song, which could tame wild beasts and drag the ancient trees from their roots, should quell the powers of hell and snatch back Eurydice from their grasp.
Thus he swore, calling on the gods to help him; and taking his lyre in his hand he set forth on that fearful pilgrimage from which never man—unless, like Hercules, he was a hero, half man and half god—had returned alive.
And now he reaches the downward path, the end whereof is lost in gloom. Deeper and deeper he descended till the light of day was quite shut out, and with it all the sounds of the pleasant earth. Downward through the silence as of the grave, downward through darkness deeper than that of any earthly night. Then out of the darkness, faint at first, but louder as he went on, came sounds that chilled his blood—shrieks and groans of more than mortal anguish, and the terrible voices of the Furies, speaking words that cannot be uttered in any human tongue.
When Orpheus heard these things his knees shook and his feet paused as if rooted to the ground. But remembering once more his love and all his grief, he struck his lyre and sang, till his dirge, reverberating like a coronach or funeral march, drowned all the sounds of hell. And Charon, the old ferryman, subdued by the melody, ferried him over the ninefold Styx which none save the dead might cross; and when Orpheus reached the other side great companies of pale ghosts flocked round him on that drear shore; for the singer was no shadowy ghost like themselves, but a mortal, beautiful though woebegone, and his song spoke to them as with a thousand voices of the sunlight and the familiar earth, and of those who were left behind in their well-loved homes.
But Orpheus, not finding Eurydice among these, made no tarrying. Onward he passed, over the flaming flood of Phlegethon, through the cloud-hung and adamantine portals of Tartarus. Here Pluto, lord of the under-world, sits enthroned, and round him sinners do penance for the evil that they wrought upon earth. There Ixion, murderer of his father-in-law, is racked upon the ever-turning wheel, and Tantalus, who slew his son, endures eternal hunger in sight of food and eternal fear from the stone ever ready to fall. There the daughters of Danaüs cease not to pour water into bottomless urns. There Sisyphus, who broke faith with the gods when they permitted him to return a little while to the upper world, evermore rolls up a steep hill a great stone that, falling back from the summit, crushes the wretch in its downward rush.