He could not even go across the street to purchase a postage-stamp without the flute-player coming stalking out after him, playing away like a public fountain; while, owing to the well-known susceptibility of a rabble to the charm of music, the disgusted Consul had to take his walks abroad at the head of Rome's choicest scum.
Duilius, with a lively recollection of these inconveniences, would have spoken very seriously indeed to his musician, but he shrank from hurting his feelings by plain truth. He simply explained that he had not intended the other to accompany him always, but only on special occasions; and, while professing the sincerest admiration for his musical proficiency, he felt, as he said, unwilling to monopolise it, and unable to enjoy it at the expense of a fellow-creature's rest and comfort.
Perhaps he put the thing a little too delicately to secure the object he had in view, for the musician, although he was deeply touched by such unwonted consideration, waved it aside with a graceful fervour which was quite irresistible.
He assured the Consul that he was only too happy to have been selected to render his humble tribute to the naval genius of so great a commander; he would not admit that his own rest and comfort were in the least affected by his exertions, for, being naturally fond of the flute, he could, he protested, perform upon it continuously for whole days without fatigue. And he concluded by pointing out very respectfully that for the Consul to dispense, even to a small extent, with an honour decreed (at his own particular request) by the Republic, would have the appearance of ingratitude, and expose him to the gravest suspicions. After which he rendered the ancient love-chant, "Ludus idem, ludus vetus," with singular sweetness and expression.
Duilius felt the force of his arguments. Republics are proverbially forgetful, and he was aware that it might not be safe even for him, to risk offending the Senate.
So he had nothing to do but just go on, and be followed about by the flute-player, and castigated by his parent in the old familiar way, until he had very little self-respect left.
At last he found a distraction in his care-laden existence—he fell deeply in love. But even here a musical Nemesis attended him, to his infinite embarrassment, in the person of his devoted follower. Sometimes Duilius would manage to elude him, and slip out unseen to some sylvan retreat, where he had reason to hope for a meeting with the object of his adoration. He generally found that in this expectation he had not deceived himself; but, always, just as he had found courage to speak of the passion that consumed him, a faint tune would strike his ear from afar, and, turning his head in a fury, he would see his faithful flute-player striding over the fields in pursuit of him with unquenchable ardour.
He gave in at last, and submitted to the necessity of speaking all his tender speeches "through music." Claudia did not seem to mind it, perhaps finding an additional romance in being wooed thus; and Duilius himself, who was not eloquent, found that the flute came in very well at awkward pauses in the conversation.
Then they were married, and, as Claudia played very nicely herself upon the tibiæ, she got up musical evenings, when she played duets with the flute-player, which Duilius, if he had only had a little more taste for music, might have enjoyed immensely.
As it was, beginning to observe for the first time that the musician was far from uncomely, he forbade the duets. Claudia wept and sulked, and Claudia's mother said that Duilius was behaving like a brute, and she was not to mind him; but the harmony of their domestic life was broken, until the poor Consul was driven to take long country walks in sheer despair, not because he was fond of walking, for he hated it, but simply to keep the flute-player out of mischief.