He was now debarred from all other society, for his old friends had long since cut him dead whenever he chanced to meet them. "How could he expect people to stop and talk," they asked indignantly, "when there was that confounded fellow blowing tunes down the backs of their necks all the time?"
Duilius had had enough of it himself, and felt this so strongly that one day he took his flute-player a long walk through a lonely wood, and, choosing a moment when his companion had played "Id omnes faciunt" till he was somewhat out of breath, he turned on him suddenly. When he left the lonely wood he was alone, and near it something which looked as if it might once have been a musician.
The Consul went home, and sat there waiting for the deed to become generally known. He waited with a certain uneasiness, because it was impossible to tell how the Senate might take the thing, or the means by which their vengeance would declare itself.
And yet his uneasiness was counterbalanced by a delicious relief: the State might disgrace, banish, put him to death even, but he had got rid of slow music for ever; and as he thought of this, the stately Duilius would snap his fingers and dance with secret delight.
All disposition to dance, however, was forgotten upon the arrival of lictors bearing an official missive. He looked at it for a long time before he dared to break the big seal, and cut the cord which bound the tablets which might contain his doom.
He did it at last; and smiled with relief as he began to read: for the decree was courteously, if not affectionately, worded. The Senate, considering (or affecting to consider) the disappearance of the flute-player a mere accident, expressed their formal regret at the failure of the provision made in his honour.
Then, as he read on, Duilius dashed the tablets into small fragments, and rolled on the ground, and tore his hair, and howled; for the senatorial decree concluded by a declaration that, in consideration of his brilliant exploits, the State hereby placed at his disposal two more flute-players, who, it was confidently hoped, would survive the wear and tear of their ministrations longer than the first.
Duilius retired to his room and made his will, taking care to have it properly signed and attested. Then he fastened himself in; and when they broke down the door next day they found a lifeless corpse, with a strange sickly smile upon its pale lips.
No one in Rome quite made out the reason of this smile, but it was generally thought to denote the gratification of the deceased at the idea of leaving his beloved ones in comfort, if not in luxury; for, though the bulk of his fortune was left to Carthaginian charities, he had had the forethought to bequeath a flute-player apiece to his wife and mother-in-law.
(From "The Black Poodle," by permission of Messrs. Longmans, Green, & Co.)