Joseph Jefferson.
Many ancestors of Joseph Jefferson followed the profession of acting. Both his father and mother were players. He was born at Philadelphia, February 20, 1829, was educated at home and first appeared on the stage as a child in the old-time favorite play of Pizarro. In 1843 his father died, and he joined a party of strolling players, who traveled through Texas and followed the United States army to Mexico. His first prominent rôle was that of Asa Trenchard, in Our American Cousin, which was first presented October 18, 1858, and continued for one hundred and fifty consecutive nights at Laura Keene’s theater in New York city. His other notable parts have been Newman Noggs, in Nicholas Nickelby; Caleb Plummer, in The Cricket on the Hearth; Dr. Pangloss, in The Heir-at-Law; and Dr. Ollapod, in The Poor Gentleman. But the public chiefly identify him with the title rôle of Rip Van Winkle, which he has played in every city in the United States, and also in England and Australia. He enjoys the distinction of having presented the character more times than any other actor has ever played a single character in the history of dramatics. Besides being one of the most popular actors of his times, Mr. Jefferson is a painter of considerable ability and is an author of some note. His “autobiography” is his most important work, but he has also contributed many articles to the magazines. He married, in 1848, Margaret Lockyer, and after her death took to wife Sarah Warren, in 1867.
Edward H. Sothern.
How many failures in life are caused by misfit occupations! The world would have perhaps never known of Edward H. Sothern if he had followed the wishes of his father in choosing a life career. This man, who has attained such prominence in the histrionic profession would probably have been doomed to obscurity had he become a painter. He was born in New Orleans, Louisiana, December 6, 1859, being the second son of Edward Askew Sothern, the famous comedian. At the age of five he was taken to London, where he received his education. He studied drawing for some time, his father wishing him to become an artist, but he seems to have inherited a predilection for the stage. It was during his two visits to the United States with his father in 1875 and 1879, that, in spite of his parents’ objections, he decided to become an actor, which he did, making his début as a cabman, in Sam, at the Park theater, New York city. Later he joined his father’s company, but shortly after resigned in order to become a member of John McCullough’s company. In 1883, after appearing for two years at the Criterion, Standard, Royalty and other London theaters, and traveling one year, in company with his brother, Lytton Sothern, he returned to this country, again entered the company of John McCullough, becoming its leading comedian. Subsequently Mr. Sothern played with Helen Daubray, in One of Our Girls; he first took a leading rôle as Jack Hammerton, in The Highest Bidder. Since that time he has starred with his own company in Lord Chumley, The Maister of Woodbarrow, Prisoner of Zenda, Under the Red Robe, etc. He married Virginia Harned, his leading woman. Mr. Sothern has had an adequate professional training and his creditable work proclaims him a master of his art.
ACTRESSES.
Maude Adams.
Maude Adams is descended from a long line of theatrical people. She was born at Salt Lake City, Utah, November 11, 1872. Her mother was the leading woman of a stock company in that city, and at a very early age Miss Adams appeared on the stage in child’s parts. Her school days were scarcely over when she joined the E. H. Sothern Company. She afterward became a member of Charles Frohman’s stock company, and still later was leading lady for John Drew. Her most pronounced success was as Babbie, in The Little Minister and another as the title rôle of l’Aiglon. She also received much publicity as the model for the silver statue which was exhibited at the World’s Fair, Chicago. Miss Maude Adams has established herself permanently in the good-will of American play-goers.