Viola Allen was born in the south, but went to Boston when three years of age. She was educated in that city and at the Bishop Strachan school, Toronto, Canada. Her début was made at the Madison Square theater, New York, in Esmeralda, in 1882. During the season of 1883 and 1884 she was leading lady for John McCullough, and afterward played classical and Shakespearian rôles. She was a member of the Empire theater stock company in 1892, but her principal success was in creating the character of Gloria Quayle, in The Christian, which had a long run in New York in 1898, succeeded by a tour through the principal cities of the country. Miss Allen’s private charities are many, and she is identified with those phases of church work which have to do with the bettering of the conditions of the poor.
Ethel Barrymore.
Ethel Barrymore, one of the youngest stars in the theatrical profession, was born in Philadelphia in 1880. She comes of a professional family, and when, while yet a child, gave to those who were responsible for her first appearance behind the footlights assurance of innate talent. Miss Barrymore was by no means unknown to Metropolitan play-goers prior to the time when, under Mr. Charles Frohman’s management, she made her stellar début a few years since. The young actress is a finished comedienne and is a member of that modern school of comedy that cultivates repressed effort.
Mrs. Leslie Carter.
David Belasco, playwright and manager, has been uniformly successful with his plays and his stars. A case in point is that of Mrs. Leslie Carter, who has been connected in a professional capacity with Mr. Belasco for some years. Stepping from social circles in Chicago to the stage, she was in the first instance a somewhat indifferent specimen of the crude amateur actress, but Mr. Belasco detected in her undeveloped talent, and the rest is professional history. Under his guidance as tutor and manager she holds a prominent place in the theatrical world. Her first success was made in the Heart of Maryland and her last and most notable in Du Barry.
Eleanora Duse.
Eleanora Duse, the Italian tragedienne, who is Signora Cecci in private life, was born, in 1861, in Vigovano, Italy. At an early age she gave indications of those histrionic talents which subsequently made her famous. For many years she was one of the most notable figures on the stage of her country. She made her American début in 1893 at the Fifth Avenue theater, New York. While there is no gainsaying the sincerity and finish of her art, yet at the same time there are not a few critics who take exception to it on the score of the sombre plays and methods of the actress. Since her début she has visited the United States on more than one occasion, and in each instance her following in this country have accorded her the welcome which is due to her as an artiste and a woman.
May Irwin.
“Blessed are the laughmakers,” is one of the later beatitudes, and on that score May Irwin will certainly receive her share of blessings. She was born at Whitby, Ontario, Canada, in 1862, and made her début at the Adelphi theater, Buffalo, in February, 1876. Later, with her sister Flora, she became a member of Tony Pastor’s company, and shortly afterward joined Augustin Daly’s company. She ranks as one of the wholesome mirth-making actresses of the American stage. The plays in which she has starred include The Widow Jones, The Swell Miss Fitzgerald, Courted Into Court, Kate Kip, Buyer, and other farcical comedies. In 1878 she was married to Frederick W. Keller, of St. Louis, who died in 1886.