To Actors who are not worth a Thought.—We notice that there is a book called "Acting and Thinking." This is to distinguish it, we imagine, from the generality of acting, in which there is mostly no thinking?
A Crusher.—Country Manager (to Mr. Agrippa Snap, the great London critic, who has come down to see the production of a piece on trial.) And what do you think, sir, of our theatre and our players?
Agrippa Snap (loftily). Well, frankly, Mr. Flatson, your green-room's better than your company.
The higher walk of the drama