Coventry Patmore (1823-1896).
The normal process of life contains moments as bad as any of those which insane melancholy is filled with. The lunatic’s visions of horror are all drawn from the material of daily fact. Our civilization is founded on the shambles, and every individual existence goes out in a lonely spasm of helpless agony. If you protest, my friend, wait till you arrive there yourself![21] To believe in the carnivorous reptiles of geologic times is hard for our imagination—they seem too much like mere museum specimens. Yet there is no tooth in any one of those museum-skulls that did not daily, through long years of the foretime, hold fast to the body struggling in despair of some fated living victim. Forms of horror just as dreadful to their victims, if on a smaller spatial scale, fill the world about us to-day. Here on our very hearths and in our gardens the infernal cat plays with the panting mouse, or holds the hot bird fluttering in her jaws. Crocodiles and rattlesnakes and pythons are at this moment vessels of life as real as we are; their loathsome existence fills every minute of every day that drags its length along, and whenever they or other wild beasts clutch their living prey, the deadly horror which an agitated melancholiac feels is the literally right reaction on the situation.
William James (The Varieties of Religious Experience).
Et in Arcadia ego.
(I too have been in Arcady.)
Anon.
Arcadia was a mountainous district in Greece which was taken to be the deal of pastoral simplicity and rural happiness—as in Sir Philip Sidney’s Arcadia and other literature. It was famous for its musicians and a favourite haunt of Pan.