Half Crown Diamonds, by Robert Reece. Holborn, Sept. 27, 1875. G. Vincent, E. Atkins, J. H. Standing. New Version. Imperial Theatre, October 2, 1880.
Hamlet Travestie, in three acts, with annotations by Dr. Johnson and George Stevens, Esq., and other Commentators, by John Poole. London, 1810.
Hamlet Travestie, by F. Talfourd. Oxford, J. Vincent, 1849.
Hamlet the Hysterical, a Delusion in Five Spasms. Princess’s, November 30, 1874.
Hamlet â la Mode, an “absurdity,” by G. L. Gordon and G. W. Anson. Prince of Wales’s, Liverpool, Oct. 16, 1876, and Opera Comique, London, April 21, 1877.
Hamlet whether He Will or No, by George Booth. Alexandra Theatre, Sheffield, June 2, 1879.
Hamlet; or, Not such a Fool as he Looks. For Amateur Performance. Cambridge: W. Metcalfe & Son, 1882.
Hamlet Improved; or, Mr. Mendall’s attempt to ameliorate that Tragedy, by Colonel Colomb, R.A. (This piece was not designed to burlesque Shakespeare.)
Hamlet the Dainty, a Nigger drama.
Handsome Hernani; or, the Fatal Penny Whistle, by Henry J. Byron. Gaiety, August 30, 1879. E. W. Royce, E. Terry, Misses E. Farren and Kate Vaughan.