Her best portrait described.

It was while she was in the United States that the first portrait of her which I have seen was painted. She herself did not like it, calling the attitude melodramatic; but her sister Rachel, I am told, always declared that it was the only true portrait of Harriet that was ever taken. At this point, then, some idea of her person may be given. She was somewhat above the middle height, and at this time had a slender figure. The face in the portrait is oval; the forehead rather broad, as well as high, but not either to a remarkable degree. The most noticeable peculiarity of the face is found in a slight projection of the lower lip. The nose is straight, not at all turned up at the end, but yet with a definite tip to it. The eyes are a clear gray, with a calm, steadfast, yet sweet gaze; indeed, there is an appealing look in them. The hair is of so dark a brown as to appear nearly black. A tress of it (cut off twenty years later than this American visit, when it had turned snow-white), has been given to me; and I find the treasured relic to be of exceptionally fine texture—a sure sign of a delicate and sensitive nervous organization. Her hands and feet were small. She was certainly not beautiful; besides the slight projection of the lower lip, the face has the defect of the cheeks sloping in too much towards the chin. But she was not strikingly plain, either. The countenance in this picture has a look both of appealing sweetness and of strength in reserve; and one feels that with such beauty of expression, it could not fail to be attractive to those who looked upon it with sympathy.

Mrs. Fenwick Miller: ‘Harriet Martineau.’


“A strange phenomenon.”

Miss Martineau’s Book on America is out.... I have read it for the good authoress’s sake, whom I love much. She is one of the strangest phenomena to me. A genuine little poetess, buckramed, swathed like a mummy into Socinian and Political Economy formulas; and yet verily alive in the inside of that! “God has given a Prophet to every People in its own speech,” say the Arabs. Even the English Unitarians were one day to have their poet, and the best that could be said for them, too, was to be said. I admire this good lady’s integrity, sincerity; her quick, sharp discernment to the depth it goes: her love also is great; nay, in fact it is too great: the host of illustrious obscure mortals whom she produces on you, of Preachers, Pamphleteers, Antislavers, Able Editors, and other Atlases bearing (unknown to us), the world on their shoulder, is absolutely more than enough.

Thomas Carlyle: Letter to Emerson, June, 1837. ‘Correspondence of T. Carlyle and R. W. Emerson.’ Boston: James R. Osgood & Co., 1883.


Her admiration of Carlyle.

You cannot fancy what way he (Carlyle), is making with the fair intellects here! There is Harriet Martineau presents him with her ear-trumpet, with a pretty, blushing air of coquetry, which would almost convince me out of belief in her identity!