Mrs. Fenwick Miller: ‘Harriet Martineau.’
Carlyle’s first impression of her.
Two or three days ago ... there came to call on us a Miss Martineau, whom you have, perhaps, often heard of in the Examiner. A hideous portrait was given of her in Fraser one month.[2] She is a notable literary woman of her day; has been travelling in America these two years, and is now come home to write a book about it. She pleased us far beyond expectation. She is very intelligent-looking, really of pleasant countenance; was full of talk, though, unhappily, deaf almost as a post, so that you have to speak to her through an ear-trumpet. She must be some five-and-thirty. As she professes very “favorable sentiments” towards this side of the street, I mean to cultivate her a little.
Thomas Carlyle: Letter to his mother. ‘Thomas Carlyle: A History of His Life in London,’ by James Anthony Froude, M. A. New York: Charles Scribner’s Sons, 1884.
Personal appearance.
How well I remember the first sight of her, so long ago! We first saw her at church—Dr. Channing’s. It was a presence one did not speedily tire of looking on—most attractive and impressive; yet the features were plain, and only saved from seeming heavily moulded by her thinness. She was rather taller and more strongly made than most American ladies. Her complexion was neither fair nor sallow, nor yet of the pale, intellectual tone that is thought to belong to authorship. It was the hue of one severely tasked, but not with literary work. She had rich, brown, abundant hair, folded away in shining waves from the middle of a forehead totally unlike the flat one described by those who knew her as a child. It was now low over the eyes, like the Greek brows, and embossed rather than graven by the workings of thought. The eyes themselves were light and full, of a grayish greenish blue, varying in color with the time of day, or with the eye of the beholder—les yeux pers of the old French romance writers. They were steadily and quietly alert, as if constantly seeing something where another would have found nothing to notice. Her habitual expression was one of serene and self-sufficing dignity—the look of perfect and benevolent repose that comes to them whose long, unselfish struggle to wring its best from life has been crowned with complete victory. You might walk the livelong day, in any city streets, and not meet such a face of simple, cheerful strength, with so much light and sweetness in its play of feature.
Maria Weston Chapman: ‘Memorials of Harriet Martineau.’