ASSISTANT EDITOR
W. EARL BRITTON, University of Michigan
ADVISORY EDITORS
EMMETT L. AVERY, State College of Washington
BENJAMIN BOYCE, Duke University
LOUIS I. BREDVOLD, University of Michigan
CLEANTH BROOKS, Yale University
JAMES L. CLIFFORD, Columbia University
ARTHUR FRIEDMAN, University of Chicago
EDWARD NILES HOOKER, University of California, Los Angeles
LOUIS A. LANDA, Princeton University
SAMUEL H. MONK, University of Minnesota
ERNEST MOSSNER, University of Texas
JAMES SUTHERLAND, University College, London
H.T. SWEDENBERG, JR., University of California, Los Angeles
INTRODUCTION
The development of the English novel is one of the triumphs of the eighteenth century. Criticism of prose fiction during that period, however, is less impressive, being neither strikingly original nor profound nor usually more than fragmentary. Because the early statements of theory were mostly very brief and are now obscurely buried in rare books, one may come upon the well conceived "program" of Joseph Andrews and Tom Jones with some surprise. But if one looks in the right places one will realize that mid-eighteenth century notions about prose fiction had a substantial background in earlier writing. And as in the case of other branches of literary theory in the Augustan period, the original expression of the organized doctrine was French. In Georges de Scudéry's preface to Ibrahim (1641)[1] and in a conversation on the art of inventing a "Fable" in Book VIII (1656) of his sister Madeleine's Clélie are to be found the grounds of criticism in prose fiction; practically all the principles are here which eighteenth-century theorists adopted, or seemed to adopt, or from which they developed, often by the simple process of contradiction, their new principles.