‘Katazhikenaku [mo] kitanagenaru tokoro ni toshi tsuki wo hete mono shitamafu koto kihamaritaru kashikomari-to mausu—okina no inochi kefu asu to mo shiranu wo kaku notamafu kimidachi ni mo yoku omohi sadamete tsukaumatsure—to mauseba—fukaki mi kokoro wo shirade ha to namu mausu sa mausu mo kotowari nari idzure otori masari ohashimasaneba yukashiki mono misetamaheramu ni on kokorozashi no hodo ha miyubeshi tsukaumatsuramu koto ha sore ni namu sadamubeki to maushihaberu—kore yoki koto nari hito no urami mo arumazhi’[37] to iheba, go nin no hitobito mo—
‘yoki koto nari’ to notamaheba, Okina irite ifu—
‘Kaguyahime Ishidzukuri no miko ni ha Temujiku ni Hotoke no ohon ishi no hachi to ifu mono ari sore wo torite tamahe, to ifu—Kuramochi no miko ni ha himukashi no umi ni Hourai to ifu yama annari sore ni shirokane wo ne to shi kogane wo kuki to shi shiratama wo mi to shite tateru ki ari sore hito yeda worite tamahamu, to ifu—ima hitori ni ha Morokoshi ni aru hinezumi no kahagoromo wo tamahe—Ohotomo no Dainagon ni ha tetsu no kubi ni go shiki ni hikaru tama ari sore wo torite tamahe—Iso no Chiunagon ni ha tsubakurame no motaru koyasugahi hitotsu torite tamahe to ifu.’
Okina—
‘Kataki kotodomo ni koso anmere kono kuni ni aru mono ni mo arazu kaku kataki koto wo ba ika ni mausan’ to ifu, Kaguyahime—
‘nahika katakaramu’ to iheba, Okina tomare kakumare mausamu tote idete,
‘kaku namu kikoyuru yau ni misetamahe’, to iheba,
Mikodachi Kamudachibe kikite,
‘Oiraka ni atari yori dani na ariki so to ya ha notamahanui’, to ihite unzhite mina kaherinu.