36 What pleasure then to walk and see,
Endlong[38] a river clear,
The perfect form of every tree
Within the deep appear.
37 The salmon out of cruives[39] and creels[40]
Uphauled into scouts;[41]
The bells and circles on the weills,[42]
Through leaping of the trouts.
38 O sure it were a seemly thing,
While all is still and calm,
The praise of God to play and sing
With trumpet and with shalm.
39 Through all the land great is the gild[43]
Of rustic folks that cry;
Of bleating sheep, from they be fill'd,
Of calves and rowting kye.
40 All labourers draw home at even,
And can to others say,
Thanks to the gracious God of heaven,
Who sent this summer day.
[1] 'Shade:' for shaded. [2] 'Nor:' than. [3] 'Syne:' then. [4] 'Maist and least:' largest and smallest. [5] 'Abread:' abroad. [6] 'Boulden:' emboldened. [7] 'Sheen:' shining. [8] 'Upbraids:' uprises. [9] 'Timeous:' early. [10]'Camow-nosed:' flat-nosed. [11]'Rowting kye:' lowing kine. [12]'Reek:' fog. [13]'Skails:' dissipates. [14]'Begaired:' dressed out. [15]'Pend:' arch. [16]'Spraings:' streaks. [17] 'Steir:' stir. [18] 'Caller:' cool. [19] 'Rin:' run. [20] 'Woltering:' tumbling. [21] 'Drown:' drone, be idle. [22] 'Freshure:' freshness. [23] 'Fauld:' fold. [24] 'Tapish'd:' stretched as on a carpet. [25] 'Beare:' sound, music. [26] 'Rayons dure:' hard or keen rays. [27] 'Gleid:' fire. [28] 'Whun:' whinstone. [29] 'Caller:' cool. [30] 'Brothing:' burning. [31] 'Ule:' oil. [32] 'Dings:' beats. [33] 'Reek:' smoke. [34] 'The mavis and the philomeen:' thrush and nightingale. [35] 'Cushats:' wood-pigeons. [36] 'Crood:' coo. [37] 'Gloamin:' evening. [38] 'Endlong:' along. [39] 'Cruives:' cages for catching fish. [40] 'Creels:' baskets. [41] 'Scouts:' small boats or yawls. [42] 'Weills:' eddies. [43] 'Gild:' throng.
* * * * *
OTHER SCOTTISH POETS.
About the same time with Hume flourished two or three poets in Scotland of considerable merit, such as Alexander Scott, author of satires and amatory poems, and called sometimes the 'Scottish Anacreon;' Sir Richard Maitland of Lethington, father of the famous Secretary Lethington, who, in his advanced years, composed and dictated to his daughter a few moral and conversational pieces, and who collected, besides, into a MS. which bears his name, the productions of some of his contemporaries; and Alexander Montgomery, author of an allegorical poem, entitled 'The Cherry and the Slae.'
The allegory is not well managed, but some of the natural descriptions are sweet and striking. Take the two following stanzas as a specimen:—