Studies in the History and Method of Science, vol. 1 (of 2)

by Unknown

[140] E. Wickersheimer, ‘L’Anatomie de Guido de Vigevano, médecin de la reine Jeanne de Bourgogne (1345)’, in Archiv für Geschichte der Med., vii. 1, Leipzig, 1914. M. Wickersheimer has kindly given permission for the reproduction of the figures in Plates XXXI and XXXII.

[141] Notably the MS. Roncioni 99, dating from the first half of the twelfth century, in the University Library of Pisa, reproduced by K. Sudhoff in the Archiv für Gesch. der Med., vii, Tafel xiv, 1914. Also separate organs are depicted in the Bodleian MS. Ashmole 399, dating from the end of the thirteenth century, reproduced in Fig. [6].

[142] The miniatures of the Dresden Codex have been studied by L. Choulant, Geschichte und Bibliographie der anatomischen Abbildung nach ihrer Beziehung auf anatomische Wissenschaft und bildende Kunst, Leipzig, 1852, and in the Archiv für die zeichnenden Künste, II. Jahrgang, Leipzig, 1856, p. 264. More recently the MS. has been most carefully described and its miniatures reproduced by E. C. van Leersum and W. Martin, Miniaturen der lateinischen Galenos-Handschrift der kgl. öffentl. Bibliothek in Dresden, in phototypischer Reproduktion, Leyden, 1910. We have to thank Dr. Van Leersum of Leyden for kind permission to reproduce the figures of Plate XXXIV.

[143] Cp. P. Triaire, Les leçons d’anatomie et les peintres hollandais aux XVI^e et XVII^e siècles, Paris, 1887.

[144] For della Torre and his projected work on anatomy, see G. Cervetto, Di alcuni illustri anatomici italiani del decimoquinto secolo, p. 46, Verona, 1842; also L. Choulant, Geschichte der anatomischen Abbildung, p. 5, Leipzig, 1852.

[145] The first edition appeared in Venice in 1491 and is in Latin. It is of less typographical interest.

[146] K. Sudhoff, ‘Eine Pariser “Ketham” Handschrift aus der Zeit König Karls VI (1380–1422)’, in Archiv für Geschichte der Medizin, vol. ii, p. 84, Leipzig, 1909; ‘Neue Beiträge zur Vorgeschichte des Ketham’, in Archiv für Geschichte der Medizin, vol. v, p. 280, Leipzig, 1912.

[147] Prince d’Essling, Les livres à figures vénitiens de la fin du XV^e siècle et du commencement du XVI^e, part i, vol. ii, p. 56, Florence and Paris, 1908.

[148] Eugène Piot, Le Cabinet de l’amateur, nouv. série, Paris, 1861, ‘Le maître aux dauphins’, p. 354 et seq. The dolphins are seen on either side of the chair in Plate XXVII.

[149] Duc de Rivoli, Bibliographie des livres à figures vénétiens, p. 110, Paris, 1893.