4. Ad praelatos moguntienses.

5. Vita sanctae Hildegardis. By Godefrid and Theodoric.

6. Liber epistolarum et orationum. This collection contains 292 items, and includes the Explanatio symboli Athanasii, the Exposition of the Rule of St. Benedict, and the Lives of St. Disibode and St. Rupert.

7. Expositiones evangeliorum.

8. Ignota lingua and Ignotae litterae.

9. Litterae villarenses.

10. Symphonia harmoniae celestum revelationum.

(B) is also at Wiesbaden, and will be cited here as the Wiesbaden Codex B. It contains the Scivias only, and is a truly noble volume of 235 folios, beautifully illuminated, in excellent preservation, and of the highest value for the history of mediaeval art. It has been thoroughly investigated by the late Dom Louis Baillet,[11] who concluded that it was written in or near Bingen between the dates 1160 and 1180. Its miniatures help greatly in the interpretation of the visions, illustrating them often in the minutest and most unexpected details. In view of the great difficulty of visualizing much of her narrative, these miniatures afford to our mind strong evidence that the MS. was supervised by the prophetess herself, or was at least prepared under her immediate tradition. This view is confirmed by comparing the miniatures with those of the somewhat similar but inferior Heidelberg MS. (C).

Both the miniatures and the script of the Wiesbaden Codex B are the work of several hands. There are three distinct handwritings discernible (Plate [II]). The earliest is attributed by Baillet in his careful work to the twelfth century, while the later writing is in thirteenth-​century hands.[12] It thus appears to us that while Hildegard herself probably supervised the earlier stages of the preparation of this volume, its completion took place subsequent to her death. This view is sustained by the fact that some of the later miniatures are far less successful than the earlier figures in aiding the interpretation of her text.

The two Wiesbaden MSS. appear to have remained at the convent on the Rupertsberg opposite Bingen until the seventeenth century. They were studied there by Trithemius in the fifteenth century, and one of them at least was seen by the Mayence Commission of 1489. Later they were noted by the theologians Osiander (1527) and Wicelius (Weitzel, 1554), and by the antiquary Nicolaus Serarius (1604). In 1632, during the Thirty Years’ War, the Rupertsberg buildings were destroyed, the MSS. being removed to a place of safety in the neighbouring settlement at Eibingen, where they were again recorded in 1660 by the Jesuits Papenbroch and Henschen.[13] At some unknown date they were transferred to Wiesbaden, where they were examined in 1814 by Goethe,[14] and a few years later by Wilhelm Grimm,[15] and where they have since remained.