O, Mama mia (Italian folk-song), [119].
O, ma tendre Musette (French folk-song), [116].
‘Observations on the Florid Song’ (Tosi), [49].
‘Ode to Joy’ (Schiller), [192].
Odes, German, [175].
Old Italian Method, [24]-[25], [68]f.
Opera (rise of), [151]f, [155]ff;
(in England), [170]ff;
(German), [176], [228];
(Italian), [164], [172]ff.
Opéra comique, [166], [179].
Oratorio, [151], [156].
Orient, music of, [42].
Ornamentation, [31]f, [39]ff, [124]f.
Overtones, vocal, [15].
P
Paesiello, Giovanni, [161]f.
Pagan song, [130]ff.
Palate (in singing), [15].
Palestrina, Giovanni Pierluigi, [38].
Paris Conservatory, vocal method of, [49]f.
Part-song, [149]f, [153].
[Le] Pauvre laboureur (French folk-song), [116].
Pentatonic scale, in Scotch folk-songs, [112].
Pergolesi, Giovanni Battista, [161].
‘Persian Songs’ (Rubinstein), [325].
Pharynx, [3].
Philidor, François-André-Danican, [180].
Philip Augustus, King of France, [133].
Pianoforte, [231].
Pianoforte style, [236]ff, [240], [295].
Pierné, Gabriel, [318].
Pinsuti, Caro, [266].
Piper of Dundee (Scotch song), [113].
Pitch, determination of (vocal), [11]f.
Placing of the voice. See Voice placing.
Plato, [167].
Poetry, ancient, in relation to song, [75]ff.
Polish folk-songs, [128]f.
Polyphonic style, influence of, on vocal culture, [35]ff.
Polyphony, [149], [153], [166];
(modern), [362].
Primitive song. See Folk-song.
Protestant Church. See Lutheran Church.
Provençal song. See Troubadours and Trouvères.
Psychological theory of tone production, [28]f.
Psychology (in relation to music), [245]f.
‘Psychology of Singing’ (Taylor), [28].
Purcell, Henry, [169]f.
R
Rachmaninoff, Sergei, [128], [369].
Raff, Joachim, [312].
Ramis de Pareja, [37].
Range of human voice, [14].
Ravel, Maurice, [358], [362]f.
Realism, in songs of Schubert, [210]f.
Recitative, (influence of, on solo singing), [42];
(compared with declamation), [202]f;
(in songs of Schubert), [241].
Recitativo secco, [156].
[The] Red Sarafan (Russian folk-song), [127].
Reformation, [147], [150].
Reger, Max, [340]ff, [371].
Registers, vocal, [11]ff, [61]f.
Reichardt, Johann Friedrich, [192]f, [195].
Reimann, Heinrich (cited), [125]f.
Reinecke, Karl, [255]f.
Religion, influence of, on primitive song, [78].
Remember the Glories of Brian the Brave (Irish folk-song), [114].
Renaissance, [150].
Representative style, [162].
See also Monodic style.
Resonance, laws of, [58].
Resonance cavities, [1], [2]f, [13]ff;
(control of), [62]ff.
Respiratory system, [2]ff.
Rimsky-Korsakoff, Nicholas, [365]f.
Rhythm, (in primitive song), [83];
(in Italian folk-songs), [120];
(in Spanish song), [121]f;
(in Hungarian music), 124f.
Roman church (early vocal culture
in), [33]ff;
(introduction of popular music), [148].
Romance, (French), [166];
(in French opera), [179]f.
Romantic poetry, [231]ff.
Romantic song, [231]ff;
(in France), [258]ff;
(after Schumann), [296]ff;
(in Russia, Scandinavia and England), [364]ff.
Romanticism, (Schubert), [186]f;
(Schumann), [248]f.
Ropartz, J. Guy, [318].
Rousseau, Jean Jacques, [179]f.
Rubinstein, Anton, [127], [323]ff, [364].
Rule Britannia, [171]f.
Russia, (Glinka), [257];
(late romantics), [298], [323]ff;
(modern lyricists), [364]ff.
Russian folk-songs, [105], [125]ff, [364]ff.
S
Sachs, Hans, [146].
Saint-Saëns, Camille, [315]ff.
Sally in Our Alley (Carey), [171].
Savart, Félix, [56].
Scales, [84], [86];
(modern), [152]f;
(major), [165].
See also Whole-tone scale.
Scandinavia (modern), [369]f.
Scandinavian folk-songs, [123], [299], [301]f.
Scarlatti, Alessandro, [156]f, [159], [161].
O cessate di piagarmi, [157].
Scena, [202].
Schiller, [199].
Schönberg, Arnold, [342]ff.
Schopenhauer (cited), [87].
Schrecker, Franz, [345].
Schubert, Franz, [89]f, [91]f, [107], [177], [186]-[230], [231];
(compared with Schumann), [235]f, [238];
(compared with Liszt), [293]f;
(compared with Hugo Wolf), [331]f, [334].
[Die] Allmacht, [208], [214].
Am Meer, [210], [225].
Aufenthalt, [210], [225].
Ave Maria, [206].
Courage, [221]ff.
Dead Flowers, [219].
Death and the Maiden, [209], [212].
Death Music, [204].
Der du von dem Himmel bist, [294].
[Der] Doppelgänger, [207], [225].
[The] Erl King, [193]f, [203], [205], [209], [225].
[The] Fisher, [212].
[The] Fisher Boy, [226].
Fülle der Liebe, [204].
[Der] greise Kopf, [221].
Gretchen am Spinnrad, [155].
Gretchen’s Prayer, [214].
Harper’s Song, [212].
Heather Rose, [212].
Hermann and Thusnelda, [226].
Ihr Bild, [206], [225].
Im Dorfe, [221].
[The] Inn, [221], [223].
[The] King of Thule, [226].
Kolma’s Complaint, [226].
[Die] liebe Farbe, [218]f.
[Der] Lindenbaum, [107], [212], [222].
Litany, [211].
Morning Greeting, [217].
Müllerlieder (song cycle), [209], [212], [215]ff.
Nebensonnen, [223].
[The] Organ Grinder, [223]f.
[The] Post, [221].
Praise of Tears, [212].
Rest, [221].
Schwanengesang (song cycle), [215].
Sea Calm, [213].
Serenade, [224].
[The] Signpost, [222].
[The] Singer, [226].
Suleika’s Second Song, [210].
Swan Songs, [224]f.
Täuschung, [221].
[The] Trout, [210], [212]f.
Viola, [204].
[The] Wanderer, [202], [205], [213].
Wandering, [216], [218].
Wanderer’s Evensong, [214].
[Der] Wegweiser, [221].
Whither, [216]f, [219]f.
Will-o’-the-Wisp, [220].
Winterreise (song cycle), [201], [206], [220]ff.
[Das] Wirtshaus. See [The] Inn.
The Young Nun, [214], [216].
Schola cantorum. See choir schools.
Schulz, Johann, [192].
Schumann, Clara, [254].
Schumann, Robert, [184], [231]-[257];
(and Robert Franz), [268], [270];
(his setting of Two Grenadiers compared with Wagner’s), [290]f;
(his settings of Heine poems compared with Lassen’s), [307].
A Young Man Loved a Maiden, [252].
[Die] alten, bösen Lieder (The Old and Evil Songs), [253].
An den Sonnenschein, [242]f.
An das Trinkglass, [242].
[Die] beiden Grenadiere (The Two Grenadiers), [242].
Blondels Lied, [242].
Das ist ein Flöten und Geigen, [250].
Dichterliebe (cycle), [238], [248]ff.
Du bist wie eine Blume, [240].
Du Ring an meinem Finger, [245]f.
Each Night in Dreams, [253].
Fair Hedwig, [254].
Frauenliebe und Leben (song cycle), [238], [244]ff.
From Out My Tears, [251].
Frühlingsnacht (Spring Night), [243].
[The] Glove, [254].
He, the Noblest of All, [246].
Helft mir, ihr Schwestern, [245].
[Der] Hidalgo, [241].
[The] Highland Cradle Song, [24]Of.
The Highlander’s Farewell, [240]f.
I Wept in My Dreams, [253].
I cannot grasp it, I cannot believe it, [245]f.
Ich grolle nicht, [249], [252].
In the Wondrous Lovely Month of May, [251].
Intermezzo, [243].
Lass mich ihm am Busen hängen, [240].
Liederkreis (song cycle), [243].
[The] Lion’s Bride, [241].
[Die] Lotusblume, [240].
Mondnacht, [243]f.
Mit Myrthen und Rosen (cycle), [239].
Myrthen, [239].
[Der] Nussbaum, [240].
On the Bright Summer Morning, [252]f.
Poet’s Love (cycle), [238], [248]ff.
Romances and Ballades, [248].
[The] Rose, the Lily, the Dove, the Sun, [251].
Schöne Wiege meiner Leiden, [239].
Seit ich ihn gesehen, [245].
Somebody, [240]f.
Stille Liebe, [242].
Stille Thränen, [242].
Stirb, Lieb und Freund, [242].
Talismane, [240].
Waldesgespräch, [243], [306].
Wanderlust, [242].
Western Divan, [253].
When I Into the Garden Go, [253].
When I Look Into Thine Eyes, [251].
Widmung, [96]f, [239].
Wilhelm Meister songs, [253].
Woman’s Life and Love (cycle), [238], [244]ff.
Scientific methods of vocal culture, [55]-[69].
Scotch folk-songs, [108]f, [111]ff;
(compared with Irish), [114]f.
Scotch songs (Edward MacDowell), [320].
Scots Wha Hae, [91], [112]f.
Scott, Cyril, [373]f.
Scott, [Sir] Walter, [110].
Shakespeare, [149], [168].
Sharp, Cecil, [107], [109]ff.
Sibelius, Jean, [370]f.
Sicilian folk-song, [119].
Sight-singing, [34]ff.
Silcher, Friedrich, [107], [229]f, [293].
Sinding, Christian, [369].
Singing, (as physical exercise), [18];
(‘style’ in), [97]f;
(technique of), see Vocal culture, Tone production.
Singspiel, [175]f, [190]ff.
Sjögren, Emil, [369]f.
Slavic folk-songs, [125]ff.
‘Slide of the glottis,’ [61].
Sol-fa system, [34].
Solo singing, [24];
(florid style), [32];
(before 17th cent.), [38]ff.
Somervell, Arthur, [371].
Song, value of, [vii];
(nature and origin of), [70]-[99];
(early development), [130]-[150].
See also Classic song; Folk-song; Romantic song.
Song-cycle, [215], [220].
Song of Roland, [135].
Songs in the folk-manner, [106]f, [229]f;
(Brahms), [278], [281]ff, [289];
(Henschel), [308]ff;
(Mahler), [337].
Soprano, [14], [62]. See also Artificial soprano.
Spain (Trobadores), [138].
Spanish folk-songs, [119]f.
Spencer, Herbert (theory of origin of song), [88].
Sinuses, [15].
Spohr, Ludwig, [183].
Stile rappresentativo. See Representative style; also Monody.
Stimulants, effect of, on singer’s organism, [19].
Strauss, Richard, [338]ff.
Stravinsky, Igor, [362].
‘Stroke of the glottis,’ [61].
Style, in singing, [98]f.
Sullivan, [Sir] Arthur, [326]f.
Sumer is icumen in, [150].
Sweden (modern), [369]f.
Swedish folk-songs, [123].
[The] Sword Shining Brightly (Irish folk-song), [114].
T
Taneieff, Sergius, [368].
Tannhäuser, [142].
Taubert, Karl Gottfried Wilhelm, [256].
Technique. See also Vocal Culture.
Teeth (in singing), [3].
Telemann, Georg Philipp, [164].
Temples (ancient), vocal culture in, [30]ff, [40]f.
Tenaglia, [156].
Tenor voice, [62].
Thomas, Ambroise, [315].
Thomas, Arthur Goring, [298], [327]f, [371].
Throat (ailments), [20]ff;
(relaxation of), [60]f.
Throaty production, [65].
Thyroid cartilage, [6]ff.
Tobacco, effect of, on singer’s organism, [19].
Tonality, vagueness of, in modern music, [348]ff.
Tone emission, [64]ff.
Tone production, (vocal), [11]ff;
(effect of incorrect methods), [20];
(as taught in early music schools), [37]f;
(old Italian method), [53]f;
(modern methods), [59]ff.
Tongue (in singing), [3], [15].
Tosi, Pietro Francesco, [46], [49].
Tosti, Francesco Paolo, [323].
Trachea, [3], [6].
Traum durch die Dämmerung (Strauss), [340], (Reger), [341].
Tre giorni (Pergolesi), [161].
Tremolo (vocal), [65]f.
Trobadores (rise of), [138].
Troubadours, [25], [42], [135];
(rise of), [137]ff;
(nature and value of their songs), [143]f.
Trouvères, (rise of), [138]f;
(influence in Germany), [141].
See also Troubadours.
Trovatori (rise of), [138].
Tschaikowsky, Peter Ilyitch, [298], [323]ff, [364].
[The] Two Grenadiers (Schumann), [242];
(settings of Wagner and Schumann), [290]f.
U