T

Taglietti, [478].
Taneieff, Serge, [555].
Tarantella (Heller), [321];
(Dargomijsky), [330].
Tartar le corde, [469].
Tartini, Giuseppe, [122] (footnote), [402], [412], [415], [417], [427], [428], [430].
Tausig, [44], [290].
Technique. See Pianoforte technique; Violin technique.
Telemann, Georg Philipp, [413].
Temperament, equal. See Equal temperament.
Terminology (uncertain, in Renaissance period), [472].
Ternary form, [45]. See Triplex form.
Thalberg, Sigismund, [286], [291]ff, [449];
(rivalry with Liszt), [299]f.
Fantasia on ‘Moses,’ [292]ff.
Thayer, [433].
Thematic development, [475], [480].
Thematic metamorphosis, [548].
Themes, [11], [70];
(contrasted), [113];
(second), [476], [477].
Thome, François, [342].
Thomelin, Jacques, [52].
Thumb (use of, in pianoforte playing), [68].
Toccata, [12], [21], [29], [41], [79], [469], [470];
(A. Scarlatti), [38];
(Bach), [81].
Tone color (attempt at, in string quartet), [517], [572].
Tone-painting, [382].
Tonini, [391], [478].
Tordion, [470].
Torelli, Giuseppe, [388]f, [399], [413], [483];
(influence on Bach), [422].
Tost, Johann, [496], [535].
‘Touch’ (harpsichord), [6]. See also Pianoforte technique.
Touchemoulin, [409].
Tourte, François, [431].
Transcriptions, [296];
(Liszt), [306];
(Mendelssohn’s ‘Midsummer Night’s Dream’), [310];
(Schubert’s Waltzes), [310];
(Glinka), [330];
(of Vivaldi’s concertos, by Bach), [422];
(Rode’s Theme and Variations), [434];
(Paganini caprices), [439];
(for lute), [468].
See also Fantasias; Operatic fantasias.
Transitional passages (in sonata), [114].
Tremolo, (pianoforte), [302];
(string instruments), [378], [381], [384], [556].
Trésor des Pianistes (Madame Farrenc’s), [53], [104], [129].
Trills, [32], [430].
Trio, [469];
(Haydn, Mozart), [574]ff;
(Beethoven), [576]f;
(Schubert, Mendelssohn, Schumann), [577];
(modern Russian), [579]f;
(Arensky, Dvořák, Tschaikowsky), [580];
(modern French), [581];
(wind instruments and piano), [599].
Trio sonatas, [101], [388], [474], [476], [484], [574].
Triplex form, [91], [96], [102], [104]ff, [115];
(C. P. E. Bach), [113];
(Beethoven), [163]ff;
(Chopin), [260].
See also Sonata form; Ternary form.
Trium, [469].
Trombone (in chamber music), [604].
Troubadours, [9] (footnote), [370].
Tschaikowsky, [331]ff, [463]f, [553]f, [561], [580];
(on Lalo), [462].
Pianoforte concerto in B-flat minor, [332].
Violin concerto, [463]f.
String quartet, [553]f, [561].
Trio (op. 50), [580].
Tum-tum bass, [177], [191], [287].
Tuning (modified, of violin), [392], [436], [439]. See also Equal temperament.
Turin School (of violin music), [404]f.
Turini, Francesco, [475].
Turns, [32].

U

Ucellini, Marco, [385].
Uhland, [252].

V

Valentini, Giuseppi, [402].
Variations, [17], [18], [19], [20]f;
(Handel), [87];
(Beethoven), [165], [595];
(Weber), [184]f;
(Mendelssohn), [215];
(Schumann), [230]f;
(Brahms), [242]ff;
(popularity in early 19th cent.), [285];
(Herz), [286]f;
(Thalberg), [291];
(in early instr. music), [475];
(Haydn), [475].
Venetian school (violin composers), [399].
Venice, [1].
Veracini, Antonio, [390], [479], [483].
Veracini, Francesco Maria, [401], [483].
Verdi (Rigoletto transcription), [309].
Viadana, [474].
Vicentino, Nicola, [467] (footnote).
Vienna, [89], [371], [502].
Viennese classics, [131]ff.
Vieuxtemps, Henri, [412], [446], [448]f, [453].
Vinacesi, [391], [478].
Viol, [371], [372].
Viola, [598].
Viola da gamba, [590]f.
Viola pomposa, [591].
Viola sonata, [598].
Viola suite, [598].
Violin, [370];
(ancestors of), [368]f;
(in 16th cent.), [373]f;
(modified tunings), [392].
Violin bow, [382], [385].
Violin concerto, (Torelli), [388];
(Viotti), [405], [411];
(Bach), [422], [423];
(Mozart), [424]f;
(Kreutzer), [432];
(Rode), [433];
(Baillot), [435];
(Paganini), [440];
(Spohr), [441];
(de Bériot), [448];
(Joachim Wieniawski), [450];
(modern), [451]f;
(Beethoven), [456]f;
(Schubert), [456];
(Mendelssohn), [458];
(Brahms), [460];
(Lalo), [461]f;
(Tschaikowsky), [463]f;
(Glazounoff), [464]f;
(Bruch), [465];
(Sibelius), [465];
(Reger), [466];
(modern Bohemian and Italian), [466].
See also Violin solo, sonata for.
Violin études, (Gaviniés), [409];
(Kreutzer), [432].
Violin methods, (Geminiani), [401];
(L. Mozart), [417];
(Conservatoire), [433];
(Baillot), [435];
(Spohr), [442].
Violin music, before Corelli, [379]ff;
(English, [17]th cent.), [393];
(18th cent.), [396]ff;
(19th cent.), [430]ff.
Violin playing (in Middle Ages), [371], [372];
(16th cent.), [373];
(popularity of, in 18th cent.), [400]f;
(Gaviniés), [409];
(in Germany, [18]th cent.), [412]f;
(Benda), [415];
(Tartini), [431];
(Paganini), [438]f;
(Spohr), [442];
(modern), [452].
See also Violin technique.
Violin solo, concerto for, [399];
sonata for (Gaviniés), [409];
(Handel), [421];
(Bach), [422], [424];
works for, [422].
Violin sonata (evolution), [384];
(G. B. Vitali), [387];
(Biber), [391];
(Corelli), [397]ff;
(Albinoni), [399];
(Vivaldi), [400];
(Veracini), [402];
(Tartini), [403];
(Leclair), [407];
(Rust), [416];
(Handel), [421];
(various types), [426]f;
(Beethoven), [454]ff;
(Schubert), [457];
(Schumann), [457]f;
(Brahms), [459]f;
(Franck), [461];
(Saint-Saëns, modern French), [462]f;
(Grieg), [463];
(Strauss), [465]f.
See also Violin solo, sonata for.
Violin technique, (development), [368]ff, [373]ff;
(18th cent.), [430]f;
(Paganini), [438];
(Spohr), [441];
(Brahms-Joachim), [460].
See also Double-stopping; Bowing.
Violinists. See Virtuosi (violin).
Violoncello music, [590]ff;
(Beethoven), [592]ff;
(Schumann, Mendelssohn), [595]f;
(Brahms), [596]f;
(Grieg), [597];
(modern), [597]f.
Viotti, Giambattista, [402], [404]f, [408], [410]ff, [428], [430], [431], [433], [488].
Violin concertos, [411].
Virdung, S., [374].
Virginal, [4].
Virginal music, [18].
Virtuosi, (piano), [209], [284], [290];
(violin), [401]f, [411], [417], [435]ff, [444], [451]f.
Virtuosity, [41], [43], [45], [298]f.
Virtuoso effects (violin), [401], [448].
Virtuoso music, [165], [177], [276], [288]ff, [297], [304], [310], [400], [436], [443], [466], [511].
Virtuoso style, [216], [405].
Vitali, Giovanni Battista, [387], [479].
Vitali, Tommaso Antonio, [383], [388].
Vivaldi, Antonio, [37], [95], [98], [399], [400], [413], [483]f;
(influence on Bach), [69], [422].
Vocal music (as chamber music), [467];
(15th-16th cent.), [486]ff.
Vocal polyphony, [9].
Vocal style, [12];
(influence on instrumental), [9] (footnote);
(in violin music), [376];
(in instrumental music), [377], [378].
Vogler, Abbé, [191].
Volkmann, Robert (string quartet), [547].

W

Wachs, Paul, [342].
Wagenseil, G. C., [113], [117], [123]f, [498].
Wagner, Richard, [132], [133], [251], [442], [459];
(transcription of Tannhäuser overture), [307].
Waldhorn. See Horn.
Walter, Jacob, [386], [422].
Wasielewski, G., [122] (footnote);
(cited), [406], [412], [413], [415], [446].
Variations on a Popular Romanza, (op. 28), [185].
Variations on a Theme in C major (op. 7), [185].
Variations (op. 40), [186].
Variations on a Bohemian Melody (op. 55), [186].
Piano sonata in C major (op. 42), [188].
Piano sonata in A-flat major, [188]ff.
Piano sonata in D major, [189].
Invitation to the Dance, [190]f.
Konzertstück in F minor, [191]f.
Weber, Carl Maria von, [132], [183]ff, [206], [208], [209], [267], [350], [367];
(Preciosa transcription), [296];
(clarinet compositions), [602]f.
Weiss, Amalie, [451].
Weiss, Franz, [510], footnote.
Weitzmann (cited), [137].
Well-Tempered Clavichord. See Bach.
‘We're a' noddin',’ [285].
Whole-tone scale, [355], [359]f.
Wieck, Clara. See Clara Schumann.
Wieniawski, Henri, [447], [450].
Wihtol, Joseph, [334].
Wilhelmj, August, [443].
Wind instruments (in chamber music), [598]ff;
(combinations of), [604].
Woldemar, [436].
Women violinists, [404].
Worms, [371].
Wranitzky, Anton, [419].
Wyzewa, [425].

Y

Ysäye, Eugène, [461].