But it was impossible to dwell in his vicinity without inhaling more or less the mountain atmosphere of his lofty thought, which in the brains of some people wrought a singular giddiness—new truth being as heady as new wine. Never was a poor little country village infested with such a variety of queer, strangely drest, oddly behaved mortals, most of whom took upon themselves to be important agents of the world's destiny, yet were simply bores of a very intense water. Such, I imagine, is the invariable character of persons who crowd so closely about an original thinker as to draw in his unuttered breath, and thus to become imbued with a false originality. This triteness of novelty is enough to make any man of common sense blaspheme at all ideas of less than a century's standing, and pray that the world may be petrified and rendered immovable in precisely the worst moral and physical state that it ever yet arrived at, rather than be benefited by such schemes of such philosophers....

Glancing back over what I have written, it seems but the scattered reminiscences of a single summer. In fairyland there is no measurement of time; and in a spot so sheltered from the turmoil of life's ocean, three years hasten away with a noiseless flight, as the breezy sunshine chases the cloud shadows across the depths of a still valley. Now came hints, growing more and more distinct, that the owner of the old house was pining for his native air. Carpenters next appeared, making a tremendous racket among the outbuildings, strewing the green grass with pine shavings and chips of chestnut joists, and vexing the whole antiquity of the place with their discordant renovations. Soon, moreover, they divested our abode of the veil of woodbine which had crept over a large portion of its southern face. All the aged mosses were cleared unsparingly away, and there were horrible whispers about brushing up the external walls with a coat of paint—a purpose as little to my taste as might be that of rouging the venerable cheeks of one's grandmother. But the hand that renovates is always more sacrilegious than that which destroys. In fine, we gathered up our household goods, drank a farewell cup of tea in our pleasant little breakfast-room—delicately fragrant tea, an unpurchasable luxury, one of the many angel gifts that had fallen like dew upon us—and passed forth between the tall stone gate-posts, as uncertain as the wandering Arabs where our tent might next be pitched. Providence took me by the hand, and—an oddity of dispensation which, I trust, there is no irreverence in smiling at—has led me, as the newspapers announce, while I am writing from the Old Manse, into a custom-house.[76] As a story-teller I have often contrived strange vicissitudes for my imaginary personages, but none like this.

FOOTNOTES:

[74] From the introductory chapter of "Mosses from an Old Manse," published by Houghton, Mifflin Company. This house, built in 1765, is still standing in Concord. Emerson lived there while writing his "Nature." Hawthorne made it his home soon after his marriage in 1842.

[75] The bridge at Concord, where the battle of April, 1775, was fought, stands only a short distance from the old manse.

[76] A reference to his appointment to a position in the Boston Custom-house.


II

ARTHUR DIMMESDALE ON THE SCAFFOLD[77]

The crowd was in a tumult. The men of rank and dignity, who stood more immediately around the clergyman, were so taken by surprize, and so perplexed as to the purport of what they saw—unable to receive the explanation which most readily presented itself, or to imagine any other—that they remained silent and inactive spectators of the judgment which Providence seemed about to work. They beheld the minister, leaning on Hester's shoulder, and supported by her arm around him, approach the scaffold, and ascend its steps; while still the little hand of the sin-born child was clasped in his. Old Roger Chillingworth followed, as one intimately connected with the drama of guilt and sorrow in which they had all been actors, and well entitled, therefore, to be present at its closing scene.