The historians' history of the world in twenty-five volumes, volume 06

by Unknown

He had an invincible desire, but capriciously directed, of rendering himself famous through all succeeding ages. He therefore took from several things and places their former appellations, and gave them new names derived from his own. He called the month of April, too, Neroneus, and had a design to change the name of Rome into that of Neropolis.

He thought there was no other use of riches and money than to squander them away profusely; regarding all those as sordid wretches who kept their expenses within due bounds; and extolling those as truly noble and generous souls, who lavished away and wasted all before them. He never wore the same garment twice. He would game for four hundred thousand sesterces for every spot that came up upon the tali. He used to fish with a golden net, drawn by silken cords of the finest scarlet colour. It is said that he never travelled with less than a thousand carts attending him with his baggage: the mules being all shod with silver, and their drivers dressed in scarlet clothes of the finest wool; and a numerous train of footmen, and Africans, with bracelets on their arms, and mounted upon horses in splendid trappings.

He was a despiser of all religious worship, except that of the Syrian goddess; but at last he regarded her so little that he spurned her, being now engaged in another superstition, in which he invariably persisted. For having received from some obscure plebeian a little image of a girl, as a preservative against plots, and discovering a conspiracy immediately after, he constantly worshipped, and with three sacrifices a day, his imaginary protectress, as the greatest amongst the gods. He was likewise desirous to have it thought that he had from the information of that deity a knowledge of future events. A few months before he died, he offered several sacrifices, to consult the entrails of the victims; but could never obtain any favourable intimations from them.[d]

MERIVALE’S ESTIMATE OF NERO AND HIS TIMES

The youth who at the age of seventeen years had been called to govern the civilised world, is represented in his busts and medals as handsome in countenance, but, as Suetonius remarks, without grace or winningness of expression. His hair was not the bright auburn of Apollo, the delight of the Romans, to which it was so often likened, but yellowish or sandy; his figure, though of middle stature, was ill-proportioned, the neck was thick and sensual, the stomach prominent, the legs slender. His skin, it is added, was blotched or pimpled; but this, it may be supposed, was the effect of intemperance in his later years; his eyes were dark gray or greenish, and their sight defective, which may account perhaps for the scowl which seems to mark their expression. His health, notwithstanding his excesses, continued good to the end, and it was only from anxious concern for his voice that he wrapped his throat in kerchiefs, like a confirmed valetudinarian. In his dress there was a mixture of slovenliness and finery; in the arrangement of his cherished locks he was exceedingly careful, piling them in tiers above the crown, and letting them fall from thence over the shoulders, a fashion which was reputed not less indecent, or at least effeminate, than the looseness of his cincture, the bareness of his feet, and the lightness of the chamber-robe in which he did not scruple to appear in public.

We may trace perhaps to the character of his master, and to the kind of education he was likely to receive from him, the ardent love of admiration, ill-directed as it was, which distinguished the pupil of Seneca. To this constant anxiety to compete with rivals, and triumph over them, however trifling the objects on which it was exercised, may be ascribed the indifference Nero evidently felt to the title of divinity, which in his inordinate vanity he might have been expected to claim. He wanted to be admired as the first among men, not to be adored as a god. He could not be Apollo, and contend at the same time for the prize of the Pythian games; he could not be Hercules, and carry off the chaplet at Nemea; he could not be Jupiter, and gain the victory at the great contest of Olympia—distinctions on which his soul was bent from an early period of his career, and which, as we shall see, he lived eventually to achieve. His courtiers might, if they pleased, pronounce his likeness to these or any other divinities; but to make him actually divine was to rob him of the honours he so vehemently affected. The poets might predict his apotheosis after death, and doubtless the verses in which Lucan, at that time his friend and companion, challenged him to choose what godship he would assume in heaven, and where he would fix his throne, imploring him to take his seat in the middle of the universe, lest if he leaned ever so little from the centre the world should be thrown by his august weight from its eternal balance—such verses were doubtless accepted as a fitting tribute to the germ of a divine existence hereafter to blossom into flower. But the ardour with which Nero aspired to distinctions among mortal men was itself a guarantee against his usurping the character of the impassive godhead, which can neither enjoy a triumph nor suffer a disgrace.

Nor again, though described by Tacitus as lusting after the incredible, had Nero the same passion as Caligula for realising apparent impossibilities to prove his superhuman power. He was not impelled in a career of marvels by restless and aimless pride. Once removed from the sphere of theatrical shows and contests, he had no higher notion of his position than as enabling him to accumulate, to multiply, or to enlarge the commonest objects of luxury. He never travelled, it is asserted, with less than a thousand carriages in his train. His banquets were those of the noble debauchees of the day on a still vaster scale of expense; in the height of his extravagance, he would equip his actors with masks or wands covered with genuine pearls; he would stake four hundred thousand sesterces on a single cast of the dice; he bathed in unguents, and stimulated his friends to expend four millions on the perfumes alone of a single supper. His presents to favourites were sums of money many times greater than had ever been given to favourites before; his buildings were colonnades longer, halls wider, towers higher, than had been raised by his predecessors. His projected canal from Puteoli to Rome would only have been the longest of canals; the attempt he latterly made to cut through the isthmus of Corinth was only a repetition of previous attempts, neither better planned, nor more steadfastly persevered in.

In his schemes there was nothing new or original. Nero was devoid of the imagination which throws an air of wild grandeur over the character of Caligula. The notion that he burned Rome on purpose to have an opportunity of rebuilding it more magnificently would have been more applicable, as it seems to me, to his predecessor than to him. But within the paltry sphere of his degraded taste he claimed to be pre-eminent. As a mime or player he was not satisfied with any single class of parts, or any one department of exhibition. After rivalling Apollo in song and the Sun in charioteering, he aspired to display the courage and vigour of Hercules, and a lion was duly prepared, drugged or fed to stupor, to be strangled in his arms, or brained with a stroke of his club. He acted, he sang, he played, he danced. He insisted on representing men and heroes, gods and even goddesses. To affect the woman indeed, in dress, voice, and gesture, was a transformation in which he took a childish pleasure, restrained by no sense of dignity or decency. He adopted his superstitions, as well as his garb and habits, from Syria, from his Parthian and Armenian guests, or from the diviners and necromancers of the credulous East. To the art of magic he devoted wealth, energy, natural abilities, in short, all his resources; but Nature, says Pliny, was too strong for him. His failure to divine the future, or raise the spirits of the dead, was noted by the wise as a signal demonstration of the futility of magical pretensions. For none of the accustomed divinities of Rome did he evince any respect, nor for places consecrated by the national religion; but he reverenced the Syrian Astarte, till in a fit of vexation he renounced her protection, and insulted her image. At last his sole object of veneration was a little figure of a girl, which he always wore as a talisman about him, affecting to learn from it the secrets of futurity.

Such were the miserable interests of this infatuated creature, the victim of licentious indulgence, a child prematurely stunted both in mind and body, surrounded on the throne not by generals and statesmen, but by troops of slaves or freedmen, by players and dancers lost to all sense of decency themselves, and seeking only their advancement at the expense of their master and of mankind; surrendered by loose women to still more despicable minions, and ruled by the most cruel and profligate of ministers. Helius and Tigellinus, Doryphorus and Sporus, are among the most hateful names of the imperial history; into the abominations of their career it would be pollution merely to look. No wonder that, when encircled by so loathsome a crew he saw the proud citizens prostrate at his feet, he could exclaim that no prince before him had known the extent of his power. But though at their patron’s command statues and arches might rise in honour of these infamous companions, it may be said for the credit of the people, that they received much less of lip-worship than their predecessors, Sejanus, Pallas, and Narcissus.