“‘Keep perfectly still,’ he adjured me, ‘and you’re as safe as you’d be on the street.’
“For all my assumption of coolness, I was frightened half out of my wits. I shut my eyes for a moment, and when I opened them we were fairly out on the tremulous hemp.
“‘Don’t look down,’ cautioned the signor. ‘Face straight forward. Sit tight.’
“Hardly daring to breathe, I stiffened myself as if I were in a plaster cast. I could see the narrow line just ahead buckle slightly at the approach of the wheel. How long that two hundred feet seemed!
“Slowly, surely, we drew near the roof. The tire jolted against the cornice. In two or three seconds we were safely on the gravel. Then the band blared out and the crowds set off explosives. My fright was over, and I felt proud as a peacock.
“On the trip back my employer made me sit facing him, and I had a good chance to admire the easy, effortless play of his wiry muscles. He was a thorough gymnast, a man of steel and india-rubber. After several other trips, during which I occupied different positions on the barrow, we went back to the hotel.
“Promptly at eight we emerged again through the scuttle. A crowd bigger than that of the afternoon had gathered, and a roar of applause greeted us. I say ‘us,’ for by this time I felt myself to be almost as important as Signor Lupini. My head was completely turned.
“The evening performance possessed certain novel features. Tin pans of red fire stood on each cornice, and along the bridge-rails had been stationed a half-dozen boys liberally supplied with rockets and Roman candles.
“The master of ceremonies fired an introductory volley with his revolver.
“‘Light up, Jimmy!’ he shouted to his associate across the river, at the same time touching a match to the pan beside him. Jimmy obeyed. A deep red glow illuminated the scene, flashing from the mill windows, and revealing the human clusters on bridges and banks.