[120] The Greek Genius and its Meaning to us, pp. 74 ff.
[121] In these novels and in The Dynasts Mr. Hardy allows his personal views to depress one side of the scales: in his lesser novels he has often shown that he can hold the balance even. This distinction should be borne in mind in all the criticisms of his work, which I have ventured to make.
[122] Keats, Preface to Endymion.
[123] Hymn to Demeter, l. 2 ff. The translation is mainly from Pater, Greek Studies. ‘Whom, by the consent of far-seeing, deep-thundering Zeus, Aidoneus carried away, as she played with the deep-bosomed daughters of Ocean, gathering flowers in a meadow of soft grass and roses and crocus and fair violets and iris and hyacinths and the strange glory of the narcissus which the Earth, favouring the desire of Aidoneus, brought forth to snare the flower-like girl. A wonder it was to all, immortal gods and mortal men. A hundred blossoms grew up from the roots of it, and very sweet was its scent, and the broad sky above, and all the earth and the salt wave of the sea laughed to see it. She in wonder stretched out her two hands to take the lovely plaything: thereupon the wide-wayed earth opened in the Nysian plain and the king of the great nation of the dead sprang out with his immortal horses.’
[124] ll. 732 f. (tr. Murray).
[125] Vitruvius, De Architectura.
[126] Pliny the Elder, Historia Naturalis, xxxvi.
[127] Pausanias, Ἑλλαδος Περιηγησις.
[128] Sir Arthur Evans has drawn up an ingenious chronology of Early Minoan (2800-2200 B. C.), Middle Minoan (2200-1700 B. C.), and Late Minoan (1700-1200 B. C.). The evidence is almost entirely that of pottery discovered on the site. The whole question of the relations of Minoan to Mycenaean art, and of this archaic art to the earlier civilizations of Egypt and Chaldea, is very obscure and uncertain.
[129] The heraldic treatment of the lions is of Eastern origin. The Greeks had a tradition that the chieftains of Mycenae came from Lydia.