[130] Portions of these columns are now in the British Museum.
[131] The order, I may say for the uninitiated, means the complete ordonnance of the column, the architrave resting immediately on its capital, the frieze and the cornice. It is the final expression of the simple device of the post and lintel, of the beam resting on the heads of two or more posts; and there is little doubt that in its ultimate origin, the Order is the translation into stone of the details of a rudimentary wooden construction.
[132] Hellenistic Sculpture, by Guy Dickins, p. 85. The author, who wrote with something of the insight of the artist as well as the accurate knowledge of the scholar, died of wounds, on the Somme, in 1916.
[133] Vitruvius, iii. 1. The difficulty was, that if the triglyph was placed on the angle of the building (the practice of the Greeks) and the next triglyph was placed over the axis of the column, the metope (or panel) between these two triglyphs would be larger than the metopes between the triglyphs axial over the other columns. The Greeks solved it by reducing the width of the end intercolumniation, but later critics disliked this, and solved it by removing the end triglyph from the angle and placing it axial over the end column.
[134] Vitruvius gives this as the ‘aedes in antis’.
[135] Pro-style (colonnade in front).
[136] Amphipro-style (colonnade at both ends).
[137] Peripteral (single colonnade all round).
[138] Dipteral (double colonnade all round).
[139] Pseudo-dipteral (inner row of columns omitted).