And the reason of it was this: Between his own farm and the public road (and the railroad station when it came) lay the fairest meadow-land farmer's eye had ever rested upon. (I am speaking again for the father of Seffy and with his hyperbole.) Save in one particular, it was like an enemy's beautiful territory lying between one's less beautiful own and the open sea—keeping one a poor inlander who is mad for the seas—whose crops must either pass across the land of his adversary and pay tithes to him, or go by long distances around him at the cost of greater tithes to the soulless owners of the turnpikes—who aggravatingly fix a gate each way to make their tithes more sure. So, I say, it was like having the territory of his enemy lying between him and the deep water—save, as I have also said, in one particular, to wit: that the owner—the Sarah Pressel I have mentioned—was not Old Baumgartner's enemy.
In fact, they were tremendous friends. And it was by this friendship—and one other thing which I mean to mention later—that Old Baumgartner hoped, before he died, to attain the wish of his life, and see, not only the Elysian pasture-field, but the whole of the adjoining farm, with the line fences down, a part of his. The other thing I promised to mention as an aid to this ambition—was Seffy. And, since the said Sarah was of nearly the same age as Seffy, perhaps I need not explain further, except to say that the only obstruction the old man could see now to acquiring the title by marriage was—Seffy himself. He was, and always had been, afraid of girls—especially such aggressive, flirtatious, pretty and tempestuous girls as this Sarah.
These things, however, were hereditary with the girl. It was historical, in fact, that, during the life of Sarah's good-looking father, so importunate had been Old Baumgartner for the purchase of at least the meadow—he could not have ventured more at that time—and so obstinate had been the father of the present owner—(he had red hair precisely as his daughter had)—that they had come to blows about it, to the discomfiture of Old Baumgartner; and, afterward, they did not speak. Yet, when the loafers at the store laughed, Baumgartner swore that he would, nevertheless, have that pasture before he died.
But then, as if fate, too, were against him, the railroad was built, and its station was placed so that the Pressel farm lay directly between it and him, and of course the "life" went more and more in the direction of the station—left him more and more "out of it"—and made him poorer and poorer, and Pressel richer and richer. And, when the store laughed at that, Baumgartner swore that he would possess half of the farm before he died; and as Pressel and his wife died, and Seffy grew up, and as he noticed the fondness of the little red-headed girl for his little tow-headed boy, he added to his adjuration that he would be harrowing that whole farm before he died,—without paying a cent for it!
But both Seffy and Sally had grown to a marriageable age without anything happening. Seffy had become inordinately shy, while the coquettish Sally had accepted the attentions of Sam Pritz, the clerk at the store, as an antagonist more worthy of her, and in a fashion which sometimes made the father of Seffy swear and lose his temper—with Seffy. Though, of course, in the final disposition of the matter, he was sure that no girl so nice as Sally would marry such a person as Sam Pritz, with no extremely visible means of support—a salary of four dollars a week, and an odious reputation for liquor. And it was for these things, all of which were known (for Baumgartner had not a single secret) that the company at the store detected the personal equation in Old Baumgartner's communications.
Seffy had almost arrived by this time, and Sally was in the store! With Sam! The situation was highly dramatic. But the old man consummately ignored this complication and directed attention to his son. For him, the molasses-tapper did not exist. The fact is he was overjoyed. Seffy, for once in his life, would be on time! He would do the rest.
"Now, boys, chust look at 'em! Dogged if they ain't bose like one another! How's the proferb? Birds of a feather flock wiss one another? I dunno. Anyhow, Sef flocks wiss Betz constant. And they understand one another good. Trotting like a sidewise dog of a hot summer's day!" And he showed the company, up and down the store-porch, just how a sidewise dog would be likely to trot on a hot summer day—and then laughed joyously.
If there had been an artist eye to see they would have been well worth its while—Seffy and the mare so affectionately disparaged. And, after all, I am not sure that the speaker himself had not an artist's eye. For a spring pasture, or a fallow upland, or a drove of goodly cows deep in his clover, I know he had. (Perhaps you, too, have?) And this was his best mare and his only son.
The big bay, clad in broad-banded harness, soft with oil and glittering with brasses, was shambling indolently down the hill, resisting her own momentum by the diagonal motion the old man had likened to a dog's sidewise trot. The looped trace-chains were jingling a merry dithyramb, her head was nodding, her tail swaying, and Seffy, propped by his elbow on her broad back, one leg swung between the hames, the other keeping time on her ribs, was singing:
"'I want to be an angel
And with the angels stand,
A crown upon my forehead
A harp within my hand—'"