The "cook-house" stood at some little distance from the "big house," and every evening after supper it was full of light and noise and laughter. The light came from the fire on the huge hearth, above which hung the crane and the great iron pots which Eliza, the cook, declared were indispensable in the practice of her art. To be sure, there was a cook-stove, but 'Liza was wedded to old ways and maintained there was nothing "stove cooked" that could hope to rival the rich and nutty flavor of ash cake, or greens "b'iled slow an' long over de ha'th, wid a piece er bacon in de pot."
The noise and laughter came from a circle of dusky and admiring friends, for Aunt 'Liza was a great favorite with everybody on the plantation, and though hunchbacked and homely, had, nevertheless, had her pick, as she was fond of boasting, of the likeliest looking men on the place; and though she had been twice wedded and twice widowed, aspirants were not wanting for the position now vacant for a third time. Indeed, not long before, a member of the family, on going to the cook-house to see why dinner was so late, had discovered one Sam, the burly young ox-cart driver, on his knees, pleading very earnestly with the elderly and humpbacked little cook, while dinner simmered on and on, unnoticed and forgotten. When remonstrated with she said that she was "'bleeged ter have co'tin' times ez well ez de res' er folks," and intimated that in affairs of the heart these things were apt to happen at any time or place, and that if a gentleman chose an inopportune moment "'twan't her fault," and no one could, with any show of reason, expect her not to pay attention to him. She ruled everybody, her white folks included, though just how she did it no one could say, unless she was one of those commanding spirits and born leaders who sometimes appear even in the humblest walks of life. It is possible that her uncommonly strong will compelled the affections of her male admirers, but it is also possible that she condescended to flatter, and it is certain that she fed them well.
One night, between supper and bedtime, the children heard the sound of a banjo proceeding from the cook-house. They had never ventured into Aunt 'Liza's domain before, but the plinketty-plunk of the banjo, the sound of patting and the thud of feet keeping time to the music drew them irresistibly. Aunt Nancy was there, in the circle about the embers, as was also her old-time foe, Aunt 'Phrony, and the banjo was in the hands of Tim, a plow-boy, celebrated as being the best picker for miles around. Lastly, there were Aunt 'Liza and her latest conquest, Sam, whose hopes she could not have entirely quenched or he would not have beamed so complacently on the assembled company.
There was a hush as the three little heads appeared in the doorway, but the children begged them to go on, and so Tim picked away for dear life and Sam did a wonderful double-shuffle with the pigeon-wing thrown in. Then Tim sang a plantation song about "Cindy Ann" that ran something like this:
I'se gwine down ter Richmond,
I'll tell you w'at hit's for:
I'se gwine down ter Richmond,
Fer ter try an' end dis war.
Refrain: An'-a you good-by, Cindy, Cindy,
Good-by, Cindy Ann;
An'-a you good-by, Cindy, Cindy,
I'se gwine ter Rappahan.
I oon ma'y a po' gal,
I'll tell de reason w'y:
Her neck so long an' skinny
I'se 'feared she nuver die.
Refrain.
I oon ma'y a rich gal,
I'll tell de reason w'y:
Bekase she dip so much snuff
Her mouf is nuver dry.
Refrain.