"Oh, nonsense!" said Mr. Howells. "You write just as well as you ever did. Your taste is improving, that's all."
James Oliver Curwood, a novelist, tells of a recent encounter with the law. The value of a short story he was writing depended upon a certain legal situation which he found difficult to manage. Going to a lawyer of his acquaintance he told him the plot and was shown a way to the desired end. "You've saved me just $100," he exclaimed, "for that's what I am going to get for this story."
A week later he received a bill from the lawyer as follows: "For literary advice, $100." He says he paid.
"Tried to skin me, that scribbler did!"
"What did he want?"
"Wanted to get out a book jointly, he to write the book and I to write the advertisements. I turned him down. I wasn't going to do all the literary work."
At a London dinner recently the conversation turned to the various methods of working employed by literary geniuses. Among the examples cited was that of a well-known poet, who, it is said, was wont to arouse his wife about four o'clock in the morning and exclaim, "Maria, get up; I've thought of a good word!" Whereupon the poet's obedient helpmate would crawl out of bed and make a note of the thought-of word.