Of all the poems mentioned above, the last, Syr Eglamour of Artois, is most nearly related to Sir Torrent, a fact found out by Halliwell,[10] who, however, thought that there was no necessity for him to prove a similarity which would be at once detected by the reader; still, he takes it for certain that the romance of Torrent is younger than and partly founded on Sir Eglamour. As he gives no proof for this opinion, it will be worth while to enter once more into this question, in order to see whether he is right or not.
Upon it, the MSS. do not help us. The earliest MS. that can have contained Sir Eglamour is the parchment one of the Duke of Sutherland,[11] written about the end of the 14th century. The other four MSS. of it[12] are still later. The only MS. of Sir Torrent belongs to the 15th century, so that neither of these romances can be traced very far back.
Sir Eglamour was printed several times in the beginning of the 16th century, and edited anew by Halliwell from the Cambridge MS. in his well-known collection. To judge from the numerous readings of the Lincoln, Cotton, and Cambridge MSS. which he has quoted, the Lincoln MS. shows best the original dialect, and offers in several passages a reading preferable as to rhyme and meaning.[13] Even slight differences in the contents occur now and then.[14]
The metre and probably the dialect are the same in both romances; they are composed in the tail-rhymed twelve-line stanzas, and written in a North Midland dialect. In both of them the style is alike swelled with the habitual phrases; only the long prayers and pious reflections so frequent in Torrent are not to be met with in Eglamour. On the other hand, the poet is wont to predict the fates of his heroes (ll. 204, 951); he often demands attention (ll. 15, 39, 343, 634, 904); he never omits, in describing the festivals, to mention the performances of the minstrels, and to praise the liberality of the lords. These characteristics render it probable that the author of Eglamour was a minstrel, not a clerk or monk, as I suppose the author of Sir Torrent to be.
I now pass on to compare the contents of the two poems. The principal features of the plot are the same in both. A young knight who seeks the hand of a princess engages to win her by valiant exploits. The princess’s father opposes his wooing, jealous as he is of the hero’s renown. The knight vanquishes all the giants and other monsters against which he is told to fight, and at length gains his spouse. A few weeks after their marriage, he sets out again on adventurous expeditions. While he stays abroad, his wife is delivered of twins. Her father sends her to sea in a leaky boat; she lands on a foreign shore, where her children are carried off by wild beasts; but they are saved in a marvellous manner, and brought up at royal courts, whilst she herself lives for a long time at a foreign court. As the hero, when he comes home again, doesn’t find her, he goes into the Holy Land to fight with the infidels. After various adventures he finds his wife and children after a tournament at a foreign court. They return home gladly, and celebrate their nuptials by great festivals. The cruel father is duly punished.
On entering into details, however, we find considerable discrepancies between the two romances. First, the names are altogether different. (Eglamour = Torrent. Crystyabelle = Desonelle. Prynsamour = Calamond. Organata = Gendres. Degrabelle = Antony fice Greffoun.) The stage of the plot is in Eglamour Artois, Rome, and Egypt; in Torrent Portugal, Norway, and Calabre. Only the Holy Land is mentioned in both. There the children are carried off by wild beasts, saved by princes and brought up; there the hero fights against the infidels.
The differences of the plot itself are the following:
1. Eglamour confesses his love to Crystyabelle before his deeds; a squire is the go-between in his suit; Eglamour finds love in return. In Torrent Desonelle does not know that she is adored by the hero till after his first exploit. See [ll. 109], [448].
2. Accordingly, Eglamour, setting out on adventures, receives two greyhounds and a sword of St. Paul from Crystyabelle as presents, whereas Torrent gets an ambler from his lady love, but not till after his first deed.
3. Prynsamour charges Eglamour with three deeds by which he is to gain Crystyabelle. Torrent is obliged to undertake not less than five combats.