"My dearest, dearest Fanny,—What is the meaning of this? Cruel, cruel girl, it is now precisely two years and a-half since I received your last letter, although I have written to you at least six or seven times during that period. What a relief, Fanny, it would be to my mind, to know that these letters of mine had miscarried—that they had never reached you!—for, in that case, I might still hope, still believe, that my Fanny was faithful. Indeed, it is in this hope that I live; for, as I have been for the last two years going from place to place, at a great distance in the interior, I think it not improbable that my letters—all of which were despatched from these remote residences—have never found their way to you."
The writer then went on, praying Fanny not to lose a moment in relieving his mind on this, to him, he said, most painful subject. After a good deal more to similar purpose, he continued—
"Will my Fanny not take it amiss—she will not, I know, if she still be to me as she once was, and what I still am to her—if I request her to send me her portrait?—that, since fortune still denies me the happiness of contemplating the original, I may, as I assuredly will, find some consolation in possessing the copy. I will then," continued the writer, "have you present to my corporeal eye, as you are, and have constantly been, to my mental vision. Enclosed, my dearest Fanny, you have a draft for twenty guineas, which please apply to the purpose just expressed, and let there not be a moment lost in forwarding me your beloved picture."
The writer then went on to say, that he expected to be in a condition to invite her out in the course of a twelvemonth or so; and ultimately finished by a repetition of the most tender expressions of affection and love.
When Fanny had completed the perusal of this, to her, most gratifying letter—that is, after she had read it at least six times over—she rushed wildly down-stairs in quest of her brother Edward; and having found him, "See, see, Edward!" exclaimed the delighted girl, forcing the letter into his hands; "read that, Edward, and acknowledge, my brother, the injustice which you and all of us have done to Henry. I knew, I knew," she went on, "my Henry would not deceive me. I felt assured that his silence and seeming neglect would one day be satisfactorily accounted for, and without impugning his honour."
To these expressions of joy, and delight, and confidence, Fanny's brother made no reply, but sat down coolly to read the letter that had been put into his hands; and greatly disappointed was the poor girl, who was watching his countenance with the most intense interest, while he read, to find that the contents seemed to excite in him no emotion whatever. When he finished—"Well, Fanny," he said, dryly, at the same time carelessly returning her the letter, "it's all very well. I am glad to find that Raeburn is not altogether the man I feared he was. He seems to think of you with unabated regard still, Fanny."
"Oh yes, Edward!—oh yes! I knew Henry would not deceive me!" again repeated the unsuspecting and delighted girl.
Edward, as we have already said, tenderly loved Fanny; and it was this regard for her that prevented him saying all he thought of the letter he had just read. He would not, for any consideration, have damped the feelings of joy and happiness which it had inspired in the bosom of his sister, by making any remarks that might have a tendency of that kind; but he could not help observing sufficient grounds for such observations. He saw, in the first place, that Raeburn's assertion that he had written several letters to Fanny was a downright falsehood, or, at best, of a very suspicious character; for his father—who lived, as the reader will recollect we have already said, in the immediate neighbourhood, and whom he frequently met with—had never made any complaint of any interruption in his son's correspondence; and he (Edward), moreover, knew that Henry's father had received many letters from him during the very period of the suspension of his correspondence with Fanny. It therefore appeared extremely odd to him that all the letters addressed to the one should have miscarried, while all those addressed to the other had reached their destination in safety, and in due course of time. In the next place, Edward saw, or thought he saw, that the general tenor of the letter was forced and unnatural; and, lastly, that procrastination was apparently still the object of the writer, notwithstanding his having vaguely named a period when he should invite Fanny to share his fortunes as his wife.
All this Edward perceived in the letter in question; but the worst he thought of it was, that Raeburn had for a time forgotten his sister, probably in a temporary regard for another, and that his affection for her having returned, he was now anxious to atone for his negligence or infidelity; and, under this impression, he was willing to overlook the subterfuge to which Raeburn had had recourse, to account for his silence; and, in these views of the matter, Edward's father and brother concurred.
Two or three days after the receipt of Henry's letter, Fanny, though in a very indifferent state of health, proceeded to Edinburgh, and had her likeness taken there in miniature. On her return, the picture was carefully packed in a small box or case, and, accompanied by a letter from Fanny, despatched to its remote destination. In this letter, the poor girl, in allusion to the portrait, said—"I have, in compliance with your wishes, Henry, sent you my portrait; but I fear it will sadly disappoint you; for a more unpropitious time for transferring my miserable countenance to canvas (I believe, however, in this case it is ivory) could scarcely have been chosen; for I have been extremely ill for a long time past, and am yet very far from being well. I have been broken-hearted, Henry, and have been labouring under the worst and most hopeless of all diseases—a crushed and broken spirit."