Thus did the poor girl allude to the misery which Raeburn's neglect had entailed on her. Her delicacy forbade her saying more, and her candid and confiding disposition would not permit her to say less.
Leaving matters in this state at Rose Vale (the name of Mr Rutherford's residence), we will, with the reader's consent, embark in the same ship with Fanny's portrait, and proceed to the East Indies, to see with our own eyes what, at this period, was the general conduct, character, and circumstances of him for whom that picture was intended. Having done this—an easy matter with you and us, good reader, though no trifling affair to others—we shall find Raeburn residing in a very handsome house at Calcutta; and in one of the most conspicuous places in one of the principal rooms in that house, we shall find the portrait of Fanny Rutherford suspended—and well worthy of the distinction was this likeness of the lovely girl. Beautiful! exceedingly beautiful in her sadness!—for the painter had been faithful; and but too plainly did that picture tell of sorrow and of suffering—"of hope deferred, that maketh the heart sick." Nor did Henry Raeburn seem insensible to the beauty expressed in that little picture. To every one who visited him he showed it, with an air of exultation and triumph; pressed on their notice the soft expression of the fine dark eye, the light, delicate, and well-arched eyebrow, the ruby lip, and elegantly-formed nose and chin. But, be it remarked—and it was an odd circumstance—it was to the young unmarried men alone who visited him that he showed the picture, and that he thus dwelt on the details of its beauties. Strange distinction this—to the unmarried alone that he showed the picture, and enlarged on the attractions of its subject! What does this mean? Much, much it means; and a darker or more atrocious meaning never disgraced the act of man. But we will leave the full explanation of this atrocity to be developed by the progress of our story.
"Ah! you dogs, you!" Raeburn would say, with well-affected jocularity, to his friends of the description already mentioned, when showing them Fanny's portrait, "isn't that a pretty girl, now? and am not I a lucky fellow to have secured the affections of so charming a woman? What would you give, you rogues, you, for such a creature as that for a wife?" Then, holding the portrait aloft, "Come, say now, gentlemen, what would you give for her, suppose I was willing to part with her; which, perhaps, I am, if I could get a fair price for my right. Bid for her, gentlemen, bid for her!" he would say, laughingly, and affecting to make a joke of the matter. "I will put her up to sale, and warrant the stock to be equal to the sample!" "A thousand rupees!" "Thank you, John. Very well for a beginning! Get on, gentlemen, get on." "Two thousand! three thousand!" "That's it. Go it, my spirited lads, go it; but she's worth six times the money yet." "Eight thousand! ten thousand!" "Ay, now you get on bravely, and are approaching the mark, though still at a great distance from it." "Fifteen thousand! twenty thousand!" "Very well—twenty thousand! Twenty thousand, gentlemen! Will no one bid more! Why, Tom, I thought you were a better judge of female beauty than to allow such a bargain as this to slip through your fingers!" "Twenty-five thousand!" "Well done, Tom; I knew you were a lad of spirit, and had too much of the knight-errant in you to allow a fair lady like this to be knocked down below her value. Twenty-five thousand rupees—once, twice, thrice! There, down she goes—she's yours, Tom; pay me the money, and I'll order her out for you by the first ship."
This was a scene of frequent occurrence in Raeburn's house, when a number of young fellows had got together there, and something very like it was repeated to each of them individually when they chanced to call alone; particularly in the case of one of them—a Mr Cressingham, the son of a gentleman who held one of the highest civil situations in India, and who was enormously wealthy. This was Raeburn's friend, Tom, as he familiarly called him; and to him he was especially eloquent and importunate on the subject of Fanny's beauty.
"Well, hang me if she an't a devilish pretty creature that, after all!" said Tom Cressingham to Raeburn, as they one day sat alone smoking their hookahs in the apartment in which Fanny's portrait hung, and on which he was listlessly gazing.
"That she is, Tom," replied Raeburn; "wouldn't you fancy such a girl as that, now, for a wife, Tom?"
"Faith and I would, Harry; I'd give ten thousand rupees for such a wife."
"You're coming down in your price, Tom," replied Raeburn; "you offered twenty-five thousand for her the other night."
"Well, I don't know but I would give that sum for her, after all, Harry; for she's certainly a delightful-looking creature. But why don't you bring out the girl, and marry her at once yourself, Harry?"
"Umph!" ejaculated Raeburn, "that wouldn't be altogether so convenient just now. You know I'm confoundedly in debt, Tom" (this was but too true; for he was grossly dissipated, and was living in a style far beyond his income), "and must clear my feet a bit before I think of marrying. Besides, to tell you a secret, Tom, I don't care much about standing to my Scotch bargain in that matter; and, to be plain with you, I wish you, or some one else, would relieve me of it, by taking the girl off my hands; giving me, of course, a handsome consideration for my right in the property."