44. These are the four arms of Vishnu and their armlets, which are represented by the four gemming pinnacles of mount Mandara which were grappled by the hands of Hari, at his churning of the milky ocean with it.
45. This moonlike figure with the chouri flapper in her hand and rising from the depth of the milky ocean, is the goddess of prosperity (Laksmi) and associating consort of Vishnu.
46. She is the brilliant glory of Hari, which was easily acquired by him, and is ever attendant on his person with undiminished lustre, and illuminates the three worlds as a radiant medicinal tree—mahaushadhi.
47. There is the other companion of Vishnu called Máyá or illusion, which is ever busy in the creation of worlds upon worlds, and in stretching a magical enchantment all about them.
48. Here is the goddess Victory (Jayá), an easy earned attendant on Vishnu, and shines as a shoot of the kalpa tree, extending to the three worlds as an all-pervading plant.
49. These two warming and cooling luminaries of the sun and moon, which serve to manifest all the worlds to view, are the two eyes situated on the forehead of my Vishnu.
50. This azure sky is the cerulean hue of the body of my Vishnu, which is as dark as a mass of watery cloud; and darkens the sphere of heaven with its sky blue radiance. The meaning of the word Vishnu was afterward changed to the residing divinity in all things from the root vish.
51. Here is the whitish conch in the hand of my Hari, which is sonant with its fivefold notes (panchajanya), and is as bright as the vacuum—the receptacle of sound, and as white as the milky ocean of heavens (the milky path).
52. Here I see the lotus in the hand of Vishnu, representing the lotus of his navel the seat of Brahmá, who rose from and sat upon it, as a bee to form his hive of the world.
53. I see the cudgel of my Vishnu’s hand (the godá) studded with gems about it, in the lofty peak of the mountain of Sumeru, beset by its gemming stones, and hurling down the demons from its precipice.