Allow me to give a few hints to judges who are setting out for the first few times in this important position. They must remember that the time for them to make up their minds is limited, therefore they must come to their decision quickly, and having made it must abide by it. They will probably have to judge two riding classes: (1) polo ponies; and (2) ponies likely to make polo ponies. Let us consider these two classes separately. When made polo ponies come into the ring let the judge carefully watch them walking round; he must then make up his mind as to what is a good made pony, a pony, pure and simple, and what is not; he will see how they walk and how they carry themselves, and here he will make his first impressions, and these first impressions are, in my opinion, the best. Then they will trot round the ring. This will show him little except that, as a rule, a good walker is usually a good trotter; however, many of the best polo ponies are poor trotters, and often will not trot at all. In my opinion, little is learnt from a polo pony trotting except the fact as to whether it is sound or not. Next the ponies will canter round. Then the judge will see a free goer from a short, stilty-actioned one. He should then proceed to draw the ponies into the centre of the ring, placing the good ones, or what he imagines are the good ones, on the one side and the rubbish on the other. He should then proceed to look the animals over quickly when standing still; whether they stand straight on their legs, whether their joints are true, and so forth.
He should then ride each pony himself, bending and twisting them himself as much as the show-ring will allow him, letting them go top pace as far as is possible. As soon as the judge is on the ponies’ backs he will quickly alter his ideas formed when watching the ponies on foot. He will find that what he fancied as being a good-looking pony rides all wrong when he is on its back; probably bad mouths, or badly trained, change their legs in front but not behind, a most common fault in polo ponies, and a very bad one, as no pony can turn with the safety and speed that he should do unless he changes his legs behind as quickly as in front. Again, as soon as a judge gets on a pony, I advise him to back the pony, just for three or four yards, quickly; all good polo ponies rein back almost as quickly as walking forwards, and if they do not do so they are not high-class polo ponies.
I also advise a judge to ride every pony in the class, whether his first impression of it be good or otherwise; many a pony is missed over that may not favourably impress the judge at first sight, but be a remarkably fine ride.
By this time the judge must have made up his mind; he may have to forgive a fault here and one there, in order to arrive at a proper order of placing the ponies in their class, as no pony is perfect in every respect.
When judging “ponies likely to make polo ponies,” the judge must not be quite so exacting. He must lay greater stress on the good made pony when standing still and the true-actioned and balanced one. He will probably have to judge ponies at very different states of their education, and will find it hard to bring a good young green pony with very little education into competition with a pony that has been well and carefully trained. In this class he must carry in his mind which pony is going to be the most valuable in a year’s time.
There are certain faculties a pony must have, whether he be a made polo pony or a young green pony; he must be built on true hunter lines, short legs, short back, compact, good sloping shoulders and a well set on neck (a pony with a bad neck seldom has a good mouth), his hind-legs and hocks must be well underneath him, and straight. Hind-legs standing away from a pony are a great fault, and generally denote a pony slow at jumping off the mark. He must have essentially a perfect temper, and also a good mouth by nature; this latter is to a large extent a matter of breaking, and a pony badly broken, in my opinion, never gets over it.
Above all, let a judge go for quality; a square underbred pony well trained may ride really well in a show-ring, but how will he manœuvre and ride after playing ten minutes in a fast game of polo; he becomes tired and beat; then his action, mouth, and training all go to the wall, and he is as a sailing ship amongst torpedo boats.
Sport and Animal Life at the Royal Academy.
Works of the character that appeal more directly to us are more remarkable for quality than for number this year; if shooting, yachting and angling pictures are conspicuous by their absence, hunting and hound works are, by comparison with previous exhibitions, numerous and generally excellent. As regards angling, Mr. Frederick Yates’ picture, “A Bite” (32), a boy stretched on the bank of a woodland beck, fishing with a wand cut from the hedge, can hardly be regarded as an angling work, though admirable in composition and drawing; the fox terrier who sits by his master is taking quite a human interest in the proceedings. In the same room hangs Mr. Peter Graham’s “Morning” (40), one of this Academician’s familiar studies of sea-girt rocks with gulls; the sky on the horizon is dark and forbidding, suggestive of a stormy night passed. Mr. C. E. Swan’s “The Day of Reckoning” (59) gives us pause. His tiger drinking in the foreground is excellently well drawn; but would a tiger stop to drink when the elephant in the background is so near at hand? And what are the two gesticulating coolies doing well in advance of the sportsman’s elephant, among the tall grass? They are, moreover almost in the line of fire from the howdah; we doubt much if the “day of reckoning” has come! “Elizabeth at Wemmergill” (78), by Miss Annie L. Swynnerton is a charming picture of a little girl in blue, astride a rough pony, both well painted. In this room we find Mr. John M. Swan’s diploma work (129) “Tigers Drinking,” boldly painted, with less finish than usual; we like it much.