A FEW WORDS ABOUT NOVELS—A DIALOGUE, IN A LETTER TO EUSEBIUS.

Dear Eusebius,—Whether it be a fable or not that the Lydians invented chess, to relieve themselves from pain and trouble, and were content to eat one day and play another, unquestionably amusement is a most salutary medicine to heal the "mind diseased," and even to mitigate hunger itself.

The utilitarian ant would not have had the best of the argument with the grasshopper,—"dance now,"—if the latter had not insisted on dancing too long—a whole summer. Even hunger would do its dire work in double-quick time, if left to fret incessantly on the mind as well as the fast failing substance. Avert the thought of it, and half a loaf will keep alive longer than a whole one, eaten together with cankering care. "Post equitem sedet atra Cura," said the most amiable of satirists; but Care, the real "gentleman in black," won't always be contented to sit behind, but is apt to assume an opposite seat at the table, and, grinning horribly, to take away your appetite "quite and entirely." You may try, Eusebius, to run away from him, and bribe the stoker to seventy or eighty miles an hour, but Care will telegraph you, and thus electrify you on your arrival, when you thought him a hundred miles or so off. I have ascertained a fact, Eusebius, that Care is not out of one, but in one, and has a lodging somewhere in the stomach, where he sets up a diabolical laboratory, and sends his vile fumes up, up—and so all over the brain; and from that conjuration what blue devils do not arise, as he smokes at leisure his infernal cigar below! Charge me not, Eusebius, with being poetical—this is sober prose to the indescribable reality. Your friend has been hypochondriacal. It is a shameful truth; but confession is the demon's triumph, and so the sufferer is punished—mocked, scoffed at, unpitied, and uncured. The Lady Dorothea Dosewell had proposed a seventy-fifth remedy. My lady, I am in despair: I have not as yet completed the fifty-sixth prescription; the fifty-fifth has left me worse. The Curate, who happened to be present, laughed at me, as all do, and said, "No wonder—you are like the man who complained of inveterate deafness, had applied every recipe, and was cured by the most simple one—a cork-screw. Do set aside all your nostrums, and spend a week or two at the curacy, and I'll take care to pack in half-a-dozen novels, and you will soon forget your own in other folks' woes."

"I will go," I replied; "but I protest against any woes whatsoever. When young as you, Mr Curate, I could bear them, and sit out a tragedy stoically; but shaken nerves and increasing years won't bear the tragic phantasmagoria now. Sentimental comedy is too much, and I positively, with shame, cry over a child's book."

"I fear," quoth the Curate, "it is a sure sign your heart is hardening. The sympathy that should soften it is too easily and too quickly drawn off by the fancy to waste, and leaves the interior dry. Come to us, and alternate your feelings between fancy and active realities; between reading imaginary histories and entering practically and interestingly into the true histories of the many homes I must visit, and you will soon be fresh in spirit and sound again."

Let me, Eusebius, use the dialogue form, as in some former letters: suffice it only to tell you previously, that I took the Curate's advice and invitation, and for a time did my best to throw off every ailment, and refresh myself by country-air exercise, in the society of the happy Curate and his wife, at the vicarage of ——, which you know well by description. And here we read novels. Even at the Curate's house did we read novels—those "Satan's books," as a large body of Puritans call them, whilst they read them privately; or, if seen, ostensibly that they may point out the wickedness in them, and thus forbid the use of them; as an elder of the demure sect excused himself when detected at a theatre, that he "came to see if any of their young folk were there." How often people do what is right, and defend it as if it was a wrong, and apologise for what gives them no shame! Thus the Curate commenced the defence of novel-reading:—

Curate.—What is the meaning of the absurd cry against works of fiction? If it be true that "the proper study of mankind is man," is it not wise to foresee, as it were, life under all its possible contingencies? Are we not armed for coming events by knowing something of their nature beforehand? Who learns only from the world amid which he walks, learns from a master that conceals too much; and the greater portion of the lesson, after all, must come out of the learner's own mind, and it is a weary while before he has learnt by experience the requisite shrewdness. Life is too short to learn by a process so slow, that the pupil begins to decay before he has learnt one truth. The preparatory education is not amiss. The early tears that tales of fiction bid to flow scald not like the bitter ones of real sorrow; and they, as it were by a charm of inoculation, prepare the cheek for the after tears, that they burn not and furrow too deeply. I cannot conceive how people came to take it into their heads that plays and novels are wicked things necessarily. Your Lady Prudence will take infinite pains that her young people shall not contaminate even their fingers with the half-binding—and perhaps fail too—and for honest simplicity induce a practice of duplicity, for fiction will be read. It is the proper food to natural curiosity—an instinct given us to learn; and I dare to say that letters were invented by Cadmus purposely for that literature.

Aquilius.—Say nothing of Cadmus, or the serpent's teeth will be thrown against your argument. Their sowing was not unlike the setting up a press; and your literary men are as fierce combatants as ever sprang from the dragon's teeth, and have as strong a propensity to slaughter each other.