And who can wonder? Who has leisure to read? Who cares to sit down and spell out accounts of travels which he can make at less cost than the cost of the narrative? Who wants to peruse fictitious adventures, when railroads and steamboats woo him to adventures of his own? Egypt was once a land of mystery; now, every lad, on leaving Eton, yachts it to the pyramids. India was once a country to dream of over a book. Even quartoes, if tolerably well-seasoned with suttees and sandalwood, went down; now, every genteel family has its "own correspondent," per favour of the Red Sea; and the best printed account of Cabul would fall stillborn from the press. As to Van Dieman's Land, it is vulgar as the Isle of Dogs; and since people have steamed it backwards and forwards across the Atlantic more easily than formerly across the Channel, every woman chooses to be her own Trollope—every man his own Boz!
For some time after books had ceased to find a market, the periodicals retained their vogue; and even till very lately, newspapers found readers. But the period at length arrived, when even the leisure requisite for the perusal of these lighter pages, is no longer forthcoming. People are busy ballooning or driving; shooting like stars along railroads; or migrating like swallows or wild-geese. It has been found, within the current year, impossible to read even a newspaper!
The march of intellect, however, luckily keeps pace with the necessities of the times; and no sooner was it ascertained, that reading-made-easy was difficult to accomplish, than a new art was invented for the more ready transmission of ideas. The fallacy of the proverb, that "those who run may read," being established, modern science set about the adoption of a medium, available to those sons of the century who are always on the run. Hence, the grand secret of ILLUSTRATION.—Hence the new art of printing!
The pictorial printing-press is now your only wear! Every thing is communicated by delineation. We are not told, but shown how the world is wagging. The magazines sketch us a lively article, the newspapers vignette us, step by step, a royal tour. The beauties of Shakspeare are imprinted on the minds of the rising generation, in woodcuts; and the poetry of Byron engraver in their hearts, by means of the graver. Not a boy in his teens has read a line of Don Quixote or Gil Blas, though all have their adventures by heart; while Goldsmith's "Deserted Village" has been committed to memory by our daughters and wives, in a series of exquisite illustrations. Every body has La Fontaine by heart, thanks to the pencil of Granville, which requires neither grammar nor dictionary to aid its interpretations; and even Defoe—even the unparalleled Robinson Crusoe—is devoured by our ingenuous youth in cuts and come again.
At present, indeed, the new art of printing is in its infancy, but it is progressing so rapidly, that the devils of the old will soon have a cold birth of it! Views of the Holy Land are superseding even the Holy Scriptures; and a pictorial Blackstone is teaching the ideas of the sucking lawyers how to shoot. Nay, Buchan's "Domestic Medicine" has (proh pudor!) its illustrated edition.
The time saved to an active public by all this, is beyond computation. All the world is now instructed by symbols, as formerly the deaf and dumb; and instead of having to peruse a tedious penny-a-line account of the postilion of the King of the French misdriving his Majesty, and his Majesty's august family, over a draw-bridge into a moat at Tréport, a single glance at a single woodcut places the whole disaster graphically before us; leaving us nine minutes and a half of the time we must otherwise have devoted to the study of the case, to dispose of at our own will and pleasure; to start, for instance, for Chelsea, and be back again by the steam-boat, before our mother knows we are out.
The application of the new art is of daily and hourly extension. The scandalous Sunday newspapers have announced an intention of evading Lord Campbell's act, by veiling their libels in caricature. Instead of writing slander and flat blasphemy, they propose to draw it, and not draw it mild. The daily prints will doubtless follow their example. No more Jenkinsisms in the Morning Post, concerning fashionable parties. A view of the duchess's ball-room, or of the dining-table of the earl, will supersede all occasion for lengthy fiddle-faddle. The opera of the night before will be described in a vignette—the ballet in a tail-piece; and we shall know at a glance whether Cerito and Elssler performed their pas meritoriously, by the number of bouquets depicted at their feet.
On the other hand, instead of column after column of dry debates, we shall know sufficiently who were the speakers of the preceding night, by a series of portraits—each having an annexed trophy, indicative of the leading points of his oration. Members of both Houses will be, of course, daguerreotyped for the use of the morning papers; and photographic likenesses of the leaders of ton be supplied gratis to the leaders of the press.
How far more interesting a striking sketch of a banquet, containing portraits of undoubted authenticity, to the matter-of-fact announcements of the exploded letter-press—that "yesterday his Grace the Duke of Wellington entertained at dinner, at Apsley House, the Earls of Aberdeen and Liverpool, the Dukes of Richmond and Buccleuch, the Master of the Horse, the Lord Chancellor, Sir Robert Peel, Sir James Graham, Sir Frederick Trench, Colonel Gurwood, and M. Algernon Greville!" Who has patience for the recapitulation of a string of names, when a group of faces may be placed simultaneously before him?
And then, accounts of races! How admirably will they be concentrated into a delineation of the winner passing the post—the losers distances; and what disgusting particulars of boxing matches shall we avoid by a spirited etching. Think of despatches from India, (one of Lord Ellenborough's XXXX,) published in a series of groupings worthy the frescoes of the tomb of Psammis. As to the affairs of China, we shall henceforward derive as much pleasure from the projects of Sir Henry Pottinger, cut in wood by the Morning Herald, as in surveying the Mandarins sailing on buffaloes through the air, or driving in junks over meadows, in one of Wedgewood's soup plates!