Nearly a century and a half had elapsed since the incidents above narrated. It was the month of July in one of the last years of the eighteenth century. The day had been oppressively hot, but in the afternoon a storm and shower had cooled and lightened the air. The minister at Vinding had a stranger stopping with him. This was a young gentleman from Copenhagen, whose pale thoughtful countenance told of assiduous toil in the paths of learning, and of late vigils by the study-lamp. Notwithstanding the elegance of his attire, and the courtly arrangement of his hair—gathered together upon his nape into a tail, according to the fashion of the day—the thorough Danish cut of his features, and a certain homely plainness of mien, seemed to indicate plebeian descent, and to warrant a conjecture that his father's hand had been more familiar with the plough-handle than with general's baton or magistrate's wand. His speech also, notwithstanding the advantages of an excellent education, was tinged with the accent of the province in which he then found himself. He had journeyed from the capital to his native place, for the purpose of examining whatever relies of antiquity there existed, and of discovering, if possible, some hitherto unknown. Not a Runic stone, or moss-grown font, or battered chalice, cracked bell, or stained window, not a tombstone or altar-piece, could escape his searching eye and investigating finger. Besides these mute memorials of ancient days, he interested himself greatly in the old rhymes and legends still current in Funen. To aid him in the collection of these, and in his other antiquarian researches, he had applied to the right man. The venerable minister was in every way as enthusiastic an admirer as the student of the vestiges of old days; and having besides some knowledge of music, which his companion did not possess, he would sing with great unction, in a voice somewhat cracked but not disagreeable, strange wild ballads about Sivard, and Varland, and Vidrick, and of the good horse Skimming, and of King Waldemar and his queen Dagmar; whilst the young man stood by, his hand in his breast, and his eyes upon the ground, listening and musing.
"The rain is quite over," said the old clergyman, turning to the student; "let us go into the garden, for the sultry air is not yet out of the house. See here, how dry it is beneath these chestnut trees, notwithstanding the pelting shower we have had; and mark how the drops patter from leaf to leaf above our heads! A severe storm this has been. At one time, I thought our church was struck by lightning: I am sure the thunderbolt fell very near the steeple. But see yonder, what a splendid rainbow! It looks exactly as if it had one foot in my meadow. Let us sit here awhile, my dear young friend: the bench is quite dry. Ah! how fragrant smells the tobacco in the fresh open air! But you do not appreciate it. You prefer a Danish ditty to all the aromatic vapours of the noble Nicotian herb."
And to gratify his young guest, the minister struck up the beautiful Danish air—"Jeg gik mig ud en Sommerdag at höre"—beating the time with his long pipe-stick of Hungarian cherry. The eyes of the sensitive student were already dim with tears, when the plaintive song was interrupted by the clergyman's fair-haired daughter, who, came bounding down the garden.
"Father, John has come, and wants to speak to you."
"Which John?" asked the minister.
"John Thorsen," replied the young lady. "Shall I send him to you?"
"No, child, I will go to him. I know what he wants. It is about his son's christening. Excuse me for a moment, my friend."
In less than five minutes the clergyman returned.
"Are you disposed for a short walk?" he said: "I must visit one of my parishioners. I may, perhaps, have an opportunity to show you something more worthy your antiquarian attention than the legend of St Matthew and his fountain."[17]