The two men took hat and stick and followed the peasant, who led them through the village to his little farm, across a garden and a small meadow, till he stopped before a knoll of ground, and turned to his companions.
"Your reverence must know," said he, "that here upon the hillock, and round about, an oak copse formerly grew, for which reason we still call the field 'Oak Meadow,' although no one now living remembers any oaks here save yonder old one, cloven by this day's lightning. It was quite hollow, but that could not be seen till now. If your reverence will take the trouble to come up the knoll—stay, give me your hand, I will help you."
"Thank you, my son," said the minister, "I can do without assistance."
And the worthy man gently ascended the little eminence. One half of the huge oak still stood erect, surmounted by rich green foliage—the other moiety had been riven away by the lightning's power—and the whole interior of the tree was exposed to view like an open cupboard. It was melancholy to behold this forest monarch thus rent and overthrown, his verdant crown defaced and trailing in the dust. But this reflection found no place in the minds of either clergyman or student—their attention was engrossed by a variety of objects that lay in a confused heap in the cavity of the oak. Upon near examination these proved to consist of the remains of a human skeleton, which, to judge from the position of the bones, must have stood upright in the tree, its arms extended upwards. A pair of large iron spurs, several nails and brass buckles, a long sword, nearly consumed by rust, pieces of iron and brass belonging to a dragoon's helmet, some coins of the reign of Charles Gustavus, and finally a broad gold finger-ring, were also discovered. Upon the last the initials J. S. were plainly legible; and on the hilt of the sword, as on some of the fragments of metal, were the letters F.R.F.D., standing for First Regiment Finland Dragoons.
Although it was at once evident that these relics had not the age requisite to give them value in antiquarian eyes, the student and his venerable friend did not the less examine them with strong interest. On their way to the oak, the minister and Johann Thorsen had told their companion the story of the Swedish sergeant, and his wonderful disappearance. The tradition was current amongst the peasantry, and some details of it were still in existence in an old vestry register. That day's storm had cleared up the marvel, and explained the mystery,—there could be no doubt that the skeleton discovered in the oak was that of poor Svartberg. The letters upon the sabre and buckles, and especially those upon the gold ring, sufficiently proved this; the latter unquestionably stood for Jon Svartberg. It was evident that the young Swede, pursued by those from whom he had little mercy to expect, and impeded in running by the weight of his accoutrements had climbed the oak for safety, and had slipped down into the hollow, between whose narrow sides he got closely wedged, and was thence unable to extricate himself. There he remained immured alive in a living sarcophagus; and there upon every one of seven-score succeeding springs, the deceitful oak (like Dead-Sea apples, all freshness without and rottenness within) had put forth, above his mouldering remains, a wreath of brilliant green.
Upon the same Sunday on which little Thor Hansen was christened in the church of Vinding, Svartberg's remains were consigned to consecrated ground. John Thorsen and the student stood beside his grave: the old minister threw earth upon his ashes and wished him good rest. Some sorry jesters in the village-tavern opined he would need it, after being, so long upon his legs.
SKETCHES IN PARIS.
So fleeting are the scenes of revolutionary history—so phantasmagoric are they in their character, as well from their quickly evanescent nature as from their wild and startling effect—so rapid are the changes that every day, and almost every hour, produce, that before they can be well sketched they have flitted away from before the eyes, to be replaced by others as strange and startling. Those that have been hastily transferred to the note-book are gone as soon as traced: those that follow upon the next leaf grow pale, however high and bold their colouring, by the side of the still more vivid picture that is placed in contrast the next day. The interest of the present swallows up that of the past: that of the future will shortly devour the interest of the present. In no country is the difficulty of seizing the revolutionary physiognomy before it changes, and stamping it in permanent daguerreotype, more sensible than among the easily excited, and consequently ever-changeful French—in no place on the earth more than in that fickle and capricious city, the capital of revolutionised France. There, more than elsewhere, the scenes of revolution have the attribute of dissolving views. They are before your eyes at one moment: as you still gaze, they change—they run into other colours and other forms,—they have given way to a complete transformation. Such scenes have all the effect of the flickering, uncertain, and varying phantom pictures of the mirage of the desert: and this effect, so observable in the outward state of things,—in the aspect of the streets, in the tumult, or the sulky calm, in the rapidly rolling panorama of the day, changed in all its objects and its colours on the morrow,—is just as remarkable in moral influences, in the enthusiasm of one hour, which becomes execration in the next; in the hope, the fear, the confidence, and the despair. This is true, and perhaps even to a greater extent, in men, as well as things or deeds. Have we not seen so lately the hero, the idol, the demigod of one moment, become, by a sudden and almost unconnected transition, the object of hatred, suspicion, and mistrust, at another? On such occasions the dissolving views have scarcely time to dissolve.