To bigamy is afterwards added murder:—
'Twin-wifing and twin-manslagt,
Of his soule beð mikel hagt.[178]'
The author thinks that Christian men ought to be as glad as birds are of dawn, to hear the story of man's bliss and sorrow.
'Seinte Marherete,'[179] is the first of a triad of saints' lives, to be edited for the Society, the other two (St. Juliane and St. Katherine) are still to come. The editor is Mr. Cockayne, whose observations are always worth a hearing, although they are of a very pugnacious character. In 'Hali Meidenhad,'[180] he expresses great offence at the opinions of his author, whose attacks on wedlock he takes very much to heart. We find in the side-notes such expressions as these—'highflying notions,' 'this ranter.' The anonymous author of the treatise is supposed by Mr. Cockayne to have been a bishop, and the same as he who wrote the three saints' lives, and the 'Ancren Riwle.' Whoever he was, he writes with considerable vigour, and describes the troubles of wives with great goodwill. The maiden is to ask the queens, rich countesses, and saucy ladies as to their mode of life. 'Truly, truly, if they rightly bethink themselves and acknowlege the truth, I shall have them witnesses that they are licking honey off thorns. They buy all the sweetness with two proportions of bitter.' A husband is held up before the maiden's eyes in these unfavourable colours:—'While he is at home, thy wide walls seem too narrow for thee; his looking on thee makes thee aghast; his loathesome voice and his rude grumbling fill thee with horror. He chideth and jaweth thee, and he insults thee shamefully; he maketh mock at thee; he beateth thee and mawleth thee as his bought thrall and patrimonial slave. Thy bones ake, and thy flesh smarteth, thy heart within thee swelleth of sore rage, and thy face externally burneth with vexation.' It shows how much outspoken language has gone out of fashion, that the author thinks it necessary to put into Latin certain of the passages which a bishop addressed to some young nuns. Mr. Furnivall has unearthed from the Vernon MS. a later essay on the same subject, entitled 'Clene Maydenhood,' in which the author adjures young women to bind Christ in their hearts, because man's love is never constant.
'Havelok the Dane,[181] is one of the best—if not the very best—of early romances, and we are indebted to the Society for bringing it within the reach of the ordinary reader. It was first edited, in 1828, by Sir Frederic Madden, for the Roxburghe Club, but since that time it has been almost unattainable on account of its scarceness and consequent high price. The story, like most of the romances, is a version taken from an original, written in French. Two kings, of England and Denmark, die, and each leaves his child to the care of a steward, who uses it badly. Grim, the founder of Grimsby, saves the life of Havelok, the son of the King of Denmark, and comes with him to England, where the boy grows up stalwart, and becomes the strongest man alive, putting the stone twelve feet beyond his companions. Havelok marries Goldborough, 'the fairest woman alive,' who was the daughter of the dead King of England. The two go to Denmark and drive the usurper from the throne, after which they return to England, and conquer the English usurper. They reign for sixty years, and fifteen children are born to them, who all become kings and queens. Havelok's first acts, on his return to England, were to found a priory of black monks in Grimsby, for the good of his old friend Grim's soul, and to marry Grim's daughters to two of his courtiers. 'King Horn,'[182] another romance of the thirteenth century, is of English origin. Horn, the son of the King of a place called Suddene, who had been killed by the Saracens, reaches the country of a neighbouring king with his companions, and is loved by that king's daughter. The king finds out the attachment, and banishes Horn, who travels to another kingdom, and conquers a formidable giant. After this, he returns to Westernesse and claims his lady love. Various troubles succeed; but, in the end, Horn returns to take possession of the ancestral throne of Sudden.
We now pass to the fourteenth-century texts; and here we find the most important work that the Society has attempted, which is a three-text edition (under the able editorship of Mr. Skeat) of the most valuable work in early English literature before Chaucer, viz., 'The Vision of Piers Plowman.'[183] This great 'Puritan' poem was very popular for many years, and a large number of MSS. of it have come down to us. These differ very much, and it appears that the author, William Langland, was induced by the popularity of this work to produce at various times what may be called, for want of a better term, three editions. These are represented by—1, the Vernon MS.; 2, the copy printed by Robert Crowley, in 1550; and 3, that printed by Dr. Whitaker, in 1813; and all the MSS. at present known can be ranged under one or other of these types. Before commencing the great work of producing a worthy edition of this great classic, the Society was anxious to have as much information concerning the MSS. as it could obtain, and in 1866 issued Parallel Extracts of twenty-nine MSS., asking, at the same time, that librarians or possessors of libraries would communicate to the Society's editor the discovery of other MSS. not noticed in these extracts, as the committee believed that many valuable ones might have remained unknown. In the following year Text A, from the Vernon MS., appeared. This only extends to eleven passus, or less than half of the whole poem, as subsequently written. The author is very severe upon the vices of his day, and in scourging them he gives us a valuable insight into the domestic life of the time.
The poem is divided into two parts, the 'Vision of Piers the Plowman,' and the 'Vision of Do-well, Do-bet, and Do-best.' In the first, the author describes how he fell asleep on the Malvern Hills, and saw, in a dream, much to displease him. The world is represented by a field full of folk, among whom are ploughmen, spendthrifts, hermits, minstrels, beggars, pilgrims, friars, a pardoner with bulls, law-serjeants, bishops, and all kinds of craftsmen. Holy Church comes to the author as a lovely lady, and points out to him Falsehood, Bribery, Simony, and Flattery. The King makes up his mind to punish Falsehood, if he can catch him; but that delinquent flees, and takes refuge with the friars, who pity him and take him under their protection. The king then appeals to Reason, but he will not take pity on wrong until lords and ladies love truth, rioters are holy clerks, knights are courteous, and priests practise what they preach. The author awakes, but soon dreams again. Conscience preaches, and is seconded by Repentance in his endeavours to convert the deadly sins. The preaching has great effect, and all set out on a pilgrimage to find Truth; but no one knows the way, and a Palmer who has returned from the Holy Sepulchre, and met many saints, knows nothing of Truth. They now meet Piers the Ploughman, who directs them to the way, and promises to guide them when he has ploughed his half-acre; meantime he sets them to work. At first, the people will not work till hunger comes in, and then they agree to do whatever Piers wills. All the names of persons introduced into the poem tell their own story, thus Piers's wife is called Work when time is, his daughter, Do as you are bid, and his son, Obey your king. In the second part, Do-well is to fear God, Do-bet to suffer, Do-best to be lowly of heart. All the allegory of the poem is very palpable, and at times tedious; but the incidental allusions to the state of the people are of the greatest interest. The author appears to have felt strongly the responsibility of his position as a preacher, and the contempt he evinces for the small value of the Pope's pardon, shows us that in the middle ages a purer Christianity was occasionally preached than we are often apt to imagine. Langland lays great stress on the law of love, and shows the infinite superiority of a life of righteousness over a mere trust in indulgences. Mr. Skeat says of him: 'He shows himself to us a man of simple, noble, and pure faith, the friend of the poor, the adviser of the rich, with strong views on the duties of a king toward his subjects, together with a feeling of deep reverence for the kingly character, fearless, unprejudiced, and ever willing to be taught.'
'Pierce the Ploughman's Crede'[184] is not written by the same author as the 'Vision,' but is an imitation of it by some one who was glad to avail himself of the popularity of that work. It is thus analyzed by Alexander Pope:—
'An ignorant plain man, having learned his Paternoster and Ave Mary, wants to learn his creed. He asks several religious men of the several orders to teach it him. First, of a friar Minor, who bids him beware of the Carmelites, and assures him that they can teach him nothing, describing their faults, &c., but that the friars Minor shall save him whether he learns his creed or not. He goes next to the friars Preachers, whose magnificent monastery he describes; there he meets a fat friar, who declaims against the Augustines. He is shocked at his pride, and goes to the Augustines. They rail at the Minorites. He goes to the Carmelites; they abuse the Dominicans, but promise him salvation without the creed for money. He leaves them with indignation, and finds an honest poor Plowman in the field, and tells him how he was disappointed, by the four orders. The ploughman answers with a long invective against them.'