BY REV. “GOLIGHTLY” MORRILL.
Mexico
V. C. in Vera Cruz stands for Venereal City. “El Dictamen” is the leading newspaper. It has only four pages, yet whole columns are filled with advertised cures for scrofula, syphilis, locomotor-ataxia and all the rotten ills that licentious Latin-America is heir to. The space we give to weather reports on the front page, or to special news with extra headlines, is given up here to nauseating advertisements. The first thing one sees as he enters the plaza are billboards, walls and buildings with sure-cure advertisements.
L. A. in Latin America stands for “licentious animals.” In Vera Cruz the principal male pastime is to talk about girls and not of God. From 4 P. M. to 2 A. M. men sit in the plaza portales drinking, smoking and talking about the women who pass by. The leading subject of “town talk” is girls, the one they went to the movie with last, the other one the night before, and the one they hope to get tonight.
The people make themselves a sewer for immoral filth, court the devil Lust that eats and burns up their blood; are spendthrifts of body and soul; waste their inheritance to purchase dirty, loathed disease; pawn their bodies to a dry-rot evil; make themselves patients for Lust’s rendezvous, a hospital, where their bill of fare is pills, not beef, and the doctor’s bill is longer than the moral law they have violated. What I have written here about Vera Cruz morals applies to the rest of Mexico where conditions are the same or worse.
The Ten Commandments are little in evidence in the country and free love prevails with the fruit of seventy-five per cent of illegitimate births. A respectable bachelor is not qualified to enter society until several children call him “papa.” Few men are without a separate establishment for affinities.
Honolulu
The Hawaiians are out and out in their dancing. They do not gloss it over and wear no hypocritical fig-leaves. They do not throw masks or mantles over their viciousness, under the guise of religious charity balls and philanthropic society parties. The hula is a hip dance, but the Hawaiians are not “hip”—ocritical in doing it. The dance is not sad or hippish but one of joy.
I have seen many dances—the Apache in Paris, du ventre in Cairo, the can-can in Buenos Aires, and with money here in Honolulu one can arrange with a chauffeur or at a hula house to see a hula combining all these vile and violent exhibitions. It is a composite of the compost of all dirty dances, most delightfully depraved, innocent of decency and shame, the dancers being quite careless about the exposure of their legs, arms and charms. What captivating indelicacy, so disturbing to the looker-on. But this it not the native hula. There is sufficient of the sun and volcano without it. The whites have taken away the native naivete and added their own nastiness. As a physiological study the dance is informing. In antiquity these antics were a religious service, combining poetry, pantomime and passion. The old edition of the heathen hula dance has been expurgated, but Christian foot-notes suggest more.
At one hula house I witnessed an unscheduled fight between several sailors who had quarreled over the charms of a hula girl with the result of broken heads, hearts and furniture. The native proprietor welcomed us with characteristic Hawaiian hospitality—we could eat, drink and stay as long as we pleased—all night in fact, with his hula girls for company. I thanked him for his ancient, beautiful and unbounded generosity but told him I was married and a minister, although he seemed unable to understand why that should make any difference with me, since it made little to some of the local clergy and laity.