Jackie Saunders and Hubby Horkheimer haven’t been bathing at Long Beach of late. Some of the Iowans who inhabit the “metropolis” become “Infant terribles” when the name Horkheimer is mentioned.

Many of them are putting up their noses and saying, “I told you so!” Now, due to the publicity which centers around the mixup of Mr. and Mrs. Horkheimer, all because a few years ago the Horkheimer retinue of directors and players, in pursuing film art at the Balboa Studios at Long Beach, cavorted too fast and furious to suit the simple minded and puritanical Iowans, and Iowa sniffed long and loud and shrugged shoulders when the Horkheimer Company withdrew from that scene of piety.

Ho, hum!

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Apropos of the recent reports of a Geraldine Farrar and Lou Tellegen matrimonial “tangle,” Whiz Bang’s astute investigators have heard some interesting gossip among the imported French actors of Hollywood’s colony.

They report a story, which went the rounds in Paris just before Mr. Tellegen’s marriage to the great prima donna, to the effect that Lou was much infatuated at one time with an actress of the French capital, but that this “Love” was then on the struggling rung of the ladder of fame and with her name yet to make.

Of late our Frenchie friends are saying this actress has attained fame and fortune in Paris, which brings up the speculation as to the possibilities of Lou’s wayward thoughts returning to the scene of early days. Then again all this talk may be plain bull of the press agent variety to advertise Tellegen’s new play “Don Juan,” which soon will open in New York.

After the failure of Lou’s play, “Blind Youth,” on the stage to startle the public, he announced his intentions of devoting talents to the cinema art. Subsequently he played and directed at the Lasky and Goldwyn lots, but the Pickfords and Chaplins continued to hold a monopoly on the “silent applause.” Now Lou is returning to his former art before the footlights, and we wish him much luck. Lou is a good actor as everybody knows, but we can’t all be on top, as our friend Owen Moore might remark.

Everyone who has had any close association with the premier song bird, Geraldine, loves her. When she lived in Hollywood her sweet strains were heard as early as five and six o’clock in the morning. Often she was up at daybreak to practice for a concert tour. Frequently she arrived at the studio before eight o’clock and played all day and in the evening entertained friends with opera selections. In spite of the very busy life she led, Mrs. Tellegen (Geraldine Farrar) always was good natured and radiant with enthusiasm, and she has been placed among America’s most remarkable women. Geraldine has never been known to “high-tone” studio menials, and it is said that Geraldine is of a forgiving nature for any flirting by Lou when they are apart, but that she insisted on Tellegen keeping to the home fireside when they were lucky enough to be in the same city. There is much speculation as to the final outcome of the Tellegen and Farrar ventures.