[THE LAST OF THE HADDONS.]
CHAPTER XX.—MRS TIPPER AT HOME.
The next morning I took care to find employment for Lilian which would require the use of her mind as well as her hands. Indeed we were all as busy as bees, there being a great deal still to be done in the way of putting our little home in order. Fortunately, as it happened for us, the builder had been obliged to make the rooms larger and less formal in shape than are the generality of cottage parlours, in order to carry out the architect's design for the exterior of the building, so we had two good sitting-rooms. Our drawing-room gave ample opportunity for the display of taste; and Mrs Tipper had begged me to select the furniture, choose the paper for the walls, and so forth. I did my best, in the way of endeavouring to make an effective background for the by no means few works of art which had arrived from Fairview, and were now to be unpacked and arranged by Lilian and me. Mrs Tipper had been a little disappointed at my selecting sober tints such as French gray for the walls, &c.; confessing that for her part she liked plenty of colour. Indeed the dear little woman too fondly remembered the best parlour in the little cottage at Holloway, where she informed me gay plumaged birds wandered up and down the walls amidst roses and tulips, to take kindly to more sober tints. And it required some diplomacy gracefully to decline two heavy lumps of china, supposed to represent Windsor Castle, which had been carefully preserved as relics of old times, and which were now brought forth from their beds of wool and presented as Mrs Tipper's contribution in the way of fine art for the drawing-room mantel-piece, with the information that they had been purchased at Greenwich fair and brought home as a surprise by 'John.' But I contrived to make it apparent that we already had as many ornaments as we knew what to do with; and the happy thought occurred to me to suggest that perhaps she would like to have the gifts which had been presented by her husband on the mantel-piece in her own room. At which she was fain to confess that such had been her desire. 'Only I thought you wanted a little more colour in the drawing-room, you know, dears; and I should be sorry to be selfish.'
But as our work progressed she acknowledged that the effect was 'elegant;' though I knew that term did not mean the highest eulogy in her estimation. The dainty collection of Sèvres and Dresden, which had belonged to Lilian's mother, the pictures, few valuable books, and the roses and lilies of the chintz, imparted quite colour enough to the room to satisfy us two. But it gave us enough to do to arrange it all. To the portrait of Lilian's mother, a really valuable painting, the costly work of a celebrated Academician (another extravagance of Mr Farrar's, deplored by Marian), was of course assigned the place of honour. She must have been a very lovely woman, of the delicate refined type of beauty, which expresses so much to certain minds, and the artist had evidently worked con amore. He had seen the soul beneath, and depicted what he had seen. I could well understand the thought which had suggested the simple white flowing dress and loosened hair, with no ornament save a star above the broad white brow, and which had caused him so to pose the figure as to impart the idea that it was floating upwards.
I have heard that Mr Farrar was not a little disappointed in the picture, considering the style too severe, and that he regretted not having stipulated for velvet and diamonds. But the picture had brought fresh fame to the artist; crowds of admirers gathering round the 'Morning Star,' as it was called, when it was on view at the Academy, though it was generally believed to be an ideal rather than a portrait. To Lilian it was a priceless treasure.
Mrs Tipper was in the outset a little afraid lest Lilian should do too much for her strength; but she presently took my hint and objected no more. I kept Lilian at work with me until we were both too fairly tired out to be able to indulge in any sentimental regrets. Two or three days passed thus, hammering and nailing in the mornings, chintz-cover making in the afternoons; in a steady, methodical, business-like fashion, until it was evident that very soon there would be nothing left for us to do, if Mrs Tipper and Becky remained firm in their determination not to allow us to give them any assistance in the everyday work of the house.
When our work was at length completed, we flattered ourselves that a prettier room than the cottage parlour was not to be found in all the country round. The pictures and china, Lilian's easel and pet books and birds, the pretty chintz furniture, and the rare flowers which found their way to us, did indeed form a very charming whole—a room which looked a great deal more like the home of a gentlewoman than did any of the rooms at Fairview; the latter being too gorgeous in the way of gilding and upholstery to be fitting receptacles for works of art.
I was not a little amused at Miss Farrar's very openly expressed astonishment, when, about a fortnight after our departure from Fairview, she found time for making the promised call upon us.
'Well!' she involuntarily exclaimed; 'you have made it look pretty!' presently adding—'for a cottage, you know. I am sure you need not mind any one coming to see you here. I shouldn't mind living here myself, I really shouldn't! I cannot think how you have contrived to make it look so comy fo!'