It will be quite time enough to talk about the faults and failings of absent friends when we have assured ourselves that we have none of our own of which to speak.
THE MUSIC OF THE NATIONS.
V.—THE SHO OF JAPAN AND THE KOU OF CHINA.
National character comes out in a curious way in the music of the people, and the whistling of the children as they pass along the streets of China and Japan shows a marked difference between the races. The proud, shy Chinese wants nothing to satisfy his ears but the weird melodies of his own land, whilst to the cosmopolitan Japanese the songs of the world are welcome, and the newest jingle of Paris or London or New York mingles with the airs of Italian or German Opera. Japanese ears are curiously true in catching up airs, and they can imitate with great fidelity.
The national music of Japan finds a place in its mythology, and its origin is ascribed to the Goddess of the Sun, Amaterasu by name. She, thinking herself affronted by her fellow divinities, betook herself to a cavern in the mountains, and declined to come out. Finding the world gloomy without her warmth and radiance, the gods tried every possible form of inducement to make her emerge; but without success, until some original genius hit upon the happy idea of musical sounds, which so enchanted the angry goddess that indignation gave place to curiosity, and she came out to listen, when gods and men once more revelled in her brightness.
Learned Japanese have recently declared Hindostan to have been the cradle of their national music, whereas it was formerly supposed to have been brought from China; certainly both instruments and the music played on them are much alike in these two countries.
In both countries blind men take a large share in performances. They form unions, much after the fashion of our Trades Unions and Benefit Clubs, and have officers to look after the general interests as well as to see that each member receives a fair amount of support. The chief is a very important person, and has great power over his inferiors. Every member of the Guild is bound to work at some trade beside music, and to turn over all his earnings to the Treasurer.
The Sho.