The Kou.
Like music itself, this Japanese method of providing for the blind has a mythological origin. Teki, a favourite prince, was killed in battle, it is said, whilst fighting Joritomo, the Japanese god of war. His general was taken prisoner at the same time, and his captor treated him so well and kindly that, unwilling to seem ungrateful, and yet unable to endure the sight of the hand which had killed his beloved master, he put out his own eyes, and presented them to Joritomo, who, delighted with such courage and affection, set him at liberty. We, having heard and read both of the magnificent bravery of the Japanese soldiers in the late war as well as of their noble and humane treatment of their prisoners, may see in this story a proof that these virtues are hereditary and instinctive in the race. Returning to his own province the blind general sought for new worlds to conquer. He turned musician, and gathered a large following of persons similarly afflicted, finally forming them into a Society of Blind Musicians, and giving it the name of 'Teki,' his dead master.
The instrument called Sho is blown with the mouth, and corresponds to the Chinese Cheng or Mouth Organ. The pipes are made of wood, with reed mouthpieces, and the notes are made by stopping the holes with the fingers. In some ways the construction is like that of a harmonium, but it is much more troublesome to play, and the performer, having to use his own breath to make the sounds, cannot sing at the same time. Unlike a harmonium also, it is difficult to keep in tune, and Miss Bird, a well-known traveller, tells of a concert at which the performer was obliged to be continually warming his instrument at a brazier of coals placed near. Some years ago a Japanese Commission was appointed to consider which of the national instruments were most suitable for use in schools; it rejected the Sho because its manufacture was troublesome and its tuning even worse.
Kou is the Chinese word for drum, of which many kinds are used in China, Japan, and Burmah. Eastern drums differ from those of Europe in having their heads nailed on, not kept movable as ours are for tuning purposes. The body is usually made of sandalwood, cedar, or mulberry wood, or else of baked clay. They are used for many purposes: on State occasions, to tell the hour during the night, to scare away evil spirits as well as to invite visits from good spirits, and to play the 'Amens' at the end of verses in the Confucian services. Tiny drums are also carried by pedlars when hawking their wares. Etiquette insists that on any occasion when the Emperor is present all drums must be muffled by being rolled in folds of cloth.
Helena Heath.
MARVELS OF MAN'S MAKING.
V.—THE GREAT EASTERN.
