THE MUSIC OF THE NATIONS.
XI.-SOME SIAMESE INSTRUMENTS.
HE kingdom of Siam, though small compared with such huge countries as Hindustan and China, takes up the chief part of the great Malay peninsula. With the exception of Japan, no Eastern country has made such wonderful advancement in civilised improvements as Siam. Telegraphs, tramways, railways, and electric lighting form part of the equipment of this go-ahead kingdom. The army was many years ago modelled on the British system, and trained by European officers, and the King, a man of considerable cultivation, welcomes foreigners as teachers of Western ways.
Bangkok, the capital, is a curiously picturesque city, the architecture being of the most original design, whilst the decoration of the many temples, gilded minarets, roofs of gaily coloured tiles, and quaint pagodas, make quite a feast of colour to European eyes. The native costumes are in keeping with their surroundings, graceful in form and bright in colour. Many of the natives live practically on the water, as for miles above and below the capital, on both sides of the river, floating houses are moored, supported either on rafts or on bundles of bamboos.
Music has always played an important part in the national life, and the present King has greatly encouraged the art. Both men and women all over the country are more or less musical, and a great number play some form of instrument, often joining in concerted music. The Siamese have four kinds of bands, divided, as we divide our orchestras, into brass or stringed bands, each with a certain combination of instruments. Some years ago, at one of the London Exhibitions, the King of Siam sent over players of all the national music of his country, and their concerted performances excited great interest: the way in which they played together showed most careful training.
Ta'khay, or Alligator.
